moving memories from New York to Phoenix
10 Tuesday Sep 2013
10 Tuesday Sep 2013
16 Tuesday Apr 2013
Tags
9.11, Bogside, Boston, Boston Marathon 2013, Enniskillen, Mr. Rogers, Newtown, Northern Ireland, Omagh, Red Sox, Sandy Hook, terrorism, Troubles
Until September 11th, I had taken for granted the sense of security I felt as a woman who had traded in Northern Ireland for America. Foolishly, I had too quickly dropped my guard, almost forgetting anything can happen. I grew complacent and smug, confident that – unlike her mother – my American daughter would never have to look twice at an unattended shopping bag that had been simply forgotten by someone in a hurry, or that she would never find herself standing stock still with her arms over her head to be searched before proceeding through airport security, or wonder while poring over international headlines, how a complete stranger could hate her because of her nationality; or, that she would find out on Facebook that two bombs exploded at the finish-line of the iconic Boston Marathon, killing three people and injuring more than 140. Little Martin Richard, the eight year old boy killed in the blast had just hugged his father who moments earlier crossed the finish line. Anything can happen – it always does.
Even though it is a big American city, I always think of Boston as a small town, buzzing with excitement when the Red Sox are at Home as they were today. The weather was perfect for the home game and for the Marathon – warm and dry, the promise of victory hanging in the air. Before those two bombs exploded at the finish line, with the kind of chilling choreography eerily reminiscent of explosions that time and again shook Northern Ireland to its core, Boston was celebrating with winners already across the finish line, and Red Sox Nation jubilant with the walk-off win.
I imagine some people in the crowd guessed or hoped those blasts were just celebratory fireworks, the way we convince ourselves it’s only a car backfiring on the freeway and not a gunshot, or it’s just a clap of Monsoon thunder, not a bomb going off on the railway line. But then there was that plume of grey smoke, the unmistakable stench of it, the scream of sirens, the blood on Boylston Street, and the sickening, renewed fear of being under attack, once again in the aftermath of those two planes crashing with such force into the heart of a city, on another clear day that had been full of possibilities, the Manhattan skyline sparkling in the sunshine.
Anything Can Happen by Seamus Heaney
After Horace, Odes, I, 34
Anything can happen. You know how Jupiter
Will mostly wait for clouds to gather head
Before he hurls the lightning? Well just now
He galloped his thunder cart and his horsesAcross a clear blue sky. It shook the earth
and the clogged underearth, the River Styx,
the winding streams, the Atlantic shore itself.
Anything can happen, the tallest towersBe overturned, those in high places daunted,
Those overlooked regarded. Stropped-beak Fortune
Swoops, making the air gasp, tearing the crest off one,
Setting it down bleading on the next.Ground gives. The heaven’s weight
Lifts up off Atlas like a kettle lid.
Capstones shift. Nothing resettles right.
Telluric ash and fire-spores boil away.
Anything can happen. The Boston Marathon is but another stark and sobering reminder of this truth. Still, no one would have expected it. No one would have expected Newtown and the harrowing irony of the Marathon’s 26th mile marker dedicated to the victims of the Sandy Hook Elementary Shooting.
Looking on, from my living room on the other side of the country, I should know by now that the finish line of a signature race is, for some person or people, not an unexpected place at all; rather it is “a legitimate target.” And, with over 25,000 assembled for the event, the potential for a tremendous loss of life. A profound sense of sadness and weariness accompanies this awareness, because it reconfirms what I know, that it is impossible to defeat terrorism. At the same time, it is impossible to live in constant fear of it, otherwise you might never go outside, as my mother often told me when I was a young girl growing up in Northern Ireland.
Usually, we were at a safe distance from “The Troubles.” Except every night when we turned on the news or the odd time that our kitchen window shook because a bomb had exploded somewhere close – the time the car-bomb exploded outside Halls Hotel, or when my brother, as a journalist, had to interview the grandmother of three little boys murdered, burned to death on July 12, 1998. Richard, Mark and Jason, just eleven, nine, and seven years old, had been asleep when a petrol bomb was thrown through the window of their home. Or an otherwise typical Saturday night out in Belfast, when my college friend Ruth and I returned to her brother’s house, only to find out that her car had been stolen and set ablaze as a barricade across town somewhere.
Years earlier, I remember watching grainy black and white images on a tiny television set, the evening news, and a reporter in the street relating the events of a Sunday in 1972, when during a Civil Rights march in Derry’s Bogside, British soldiers shot into a crowd of unarmed and peaceful civilians, killing thirteen of them. Bloody Sunday. As a young woman, visiting home from America, I remember the bombing of Omagh and being horrified that it could happen after what had happened in Enniskillen.
Never again? Think again.
Physically untouched by all these, but changed nonetheless. Ostensibly, I survived The Troubles. I just managed to avoid being in the wrong place. The images are indelible and iconic: Father Daly waving a blood-stained white handkerchief on the streets of Derry; aging veterans of the World Wars, medals gleaming in Enniskillen; the carnage on Market Street in the heart of Omagh.
When I heard about Boston, I thought immediately of Omagh, when the Real IRA loaded a non-descript car with 500 pounds of explosives, parked it in the middle of the little market town, and detonated it when it could do most harm. Immediately, glass, masonry and metal ripped through the crowd of shoppers, mostly women and children, the sheer force killing 21 people immediately. One of them was a woman, pregnant with twins. Some of their bodies were never found. Hundreds were injured.
I will never forget the Omagh bombing. It was on a Saturday when mothers were shopping for back-to-school supplies and uniforms. Those responsible called in a warning, and with unimaginable cruelty and callousness led the police to divert the crowd not to safety but to where they would be the most vulnerable. It happened during my daughter’s first trip to Ireland. Not quite eight months old, she was the surprise for my mother’s 60th birthday party. I remember that night, holding her tight as I watched the news in my parent’s house, the accounts from witnesses forever changed and devastated by the blood that flowed in the gutters and the bits and pieces of people lying on the street. One of the volunteer nuns recalls the scene before her at Tyrone County Hospital. A war-zone. A killing field:
“Nothing could have prepared me for what I saw. People were lying on the floor with limbs missing and there was blood all over the place. People were crying for help and looking for something to kill the pain. Other people were crying out looking for relatives. You could not really be trained for what you had seen unless you were trained in Vietnam or somewhere like that”
How could Omagh happen after Enniskillen, where over twenty-five years ago at 10.43AM on Remembrance Sunday, the IRA detonated a bomb without warning, killing eleven ordinary people and injuring sixty:
How could Boston happen? And what can we do? Like Newtown and Omagh, New York and Enniskillen, we will find, long before the answers, the highest expressions of humanity and kindess within the hearts of ordinary people who will emerge as heroes. Mr. Rogers calls them “the helpers.”
While we struggle to find the words to explain the inexplicable – again – we can remind our children – and ourselves – of the helpers and their humanity that shines through the darkest days:
When I was a boy and I would see scary things in the news, my mother would say to me, “Look for the helpers. You will always find people who are helping.” To this day, especially in times of “disaster,” I remember my mother’s words and I am always comforted by realizing that there are still so many helpers – so many caring people in this world.
15 Saturday Sep 2012
Posted 9/11, Billy Collins, Memoir, Themes of childhood
inTags
9.11, 9/11, Amazing Grace, American Airlines Flight 77, Billy Collins, Daily Show, Healing Field, Juliana Valentine McCourt, lists, Love, Memoir, Mother and daughter, mother daughter relationship, Pentagon, Politics, Remembering, September 11 2001, Taps, terrorism, The Names, Themes of childhood, United Airlines Flight 175, War, World Trade Center, Writing
Flanked by row upon row of flagpoles set five feet apart, if we stretch out our arms, we can touch two lives at a time, lest we forget what happened on September 11, 2001. The 9.11 memorial in Tempe, Arizona, is heartbreakingly beautiful, each one of its 2,996 flags signifying a life taken on that horrific autumn morning.
As my daughter walks away from me, a somber and solitary figure cutting a path deep into a Healing Field of red, white, and blue, I am undone by the sheer enormity of the memorial and her diminished stature among those flags. For a minute, I look away to remember how we were that September morning when I dropped her off at pre-school. In that blink of an eye, she has vanished into the Field. Instinctively, I know she is not lost, but I am reminded that the very thought of losing her is still what scares me most.
September 11th fell on a Tuesday in 2001. That morning, a little girl only a few months older than mine, boarded United Airlines Flight 175. Four years old, Juliana Valentine McCourt, and her mother, an Irish immigrant, were on their way to Disneyland, the “happiest place on earth.”
Juliana and her mom were best friends, close as sisters. They were traveling together to California.
Close, like my daughter and me on our trips from Phoenix to Newark, Newark to Belfast, and back again. Close. Even when we are rendered illogical and unreasonable, she by raging adolescent hormones, me by the effects of Tamoxifen, we are as two peas in a pod. We have the same hands. We love dark chocolate-covered almonds, ice-cream, the smell of books, and The Daily Show. We know we fill the heart of a husband and father. We know anything can happen, but sometimes we forget.
Juliana died that morning, when her plane plunged through the South Tower of the World Trade Center, with horrifying velocity. In Washington, D.C., Dana and Zoe Falkenberg died too. Just 3 and 8, they had boarded American Airlines Flight 77 with their parents, beginning a dream trip to Australia. And then they were gone, when terrorists hijacked their plane and crashed it into the Pentagon. So many dead, so many names:
So many names, there is barely room on the walls of the heart
The colorful tulle butterflies attached to the flagpoles and the stuffed bears on the grass prove again that terrorism is a horrible equalizer. Children, parents, grandparents, and those without names or families or homes or good health – in a terrorist attack, they are all legitimate targets.
In the Field, there are shows of patriotism and silent prayers for the dead; a mournful “Taps” pierces the air and then Amazing Grace. Yellow ribbons wrapped around and around those flagpoles encircling the field, they represent the valor of those “first responders,” whose duty is to protect and serve those within. Ribbons as blue as that September morning sky wound around flagpoles in heart of the Field, for the flight crew members who perished. On the grass, for veterans lost that day, pair after pair of combat boots.
In cities here and across the globe, wreaths are laid, bells ring out, and names are rubbed in pencil on cherished scraps of paper. We say their names.
Juliana Valentine McCourt. She would be in high school now, Disneyland days with her mom perhaps less appealing than thoughts of a driver’s permit or a summer job or college. Such a trajectory is only in my imagination. For Juliana, there was no Disneyland, no first day of school, no soft place to fall.
September 11, 2012 has come and gone. The memorial services are over for another year. Our flags have been hoisted to full-staff once more, and footage of the World Trade Center’s final moments have been filed away for television retrospectives that will air this time next year. Our politicians, having paid their respects, are back on a campaign trail that is not always respectful. 9.11 is history. My daughter tells me none of her teachers remembered it out loud last Tuesday. Ostensibly, it was no different than the day before, probably no different than September 10, 2001, when Ruth McCourt was packing for a trip to Disneyland with her daughter, Juliana.
“The Names” is in dedication to all the victims of September 11 and their survivors. Poet Laureate of the United States, Billy Collins, is one of those brilliant poets who uses words and rhythms to cut through with clarity and compassion to the heart of a matter, right when we need it most:
Yesterday, I lay awake in the palm of the night.
A soft rain stole in, unhelped by any breeze,
And when I saw the silver glaze on the windows,
I started with A, with Ackerman, as it happened,
Then Baxter and Calabro,
Davis and Eberling, names falling into place
As droplets fell through the dark.
Names printed on the ceiling of the night.
Names slipping around a watery bend.
Twenty-six willows on the banks of a stream.
In the morning, I walked out barefoot
Among thousands of flowers
Heavy with dew like the eyes of tears,
And each had a name —
Fiori inscribed on a yellow petal
Then Gonzalez and Han, Ishikawa and Jenkins.
Names written in the air
And stitched into the cloth of the day.
A name under a photograph taped to a mailbox.
Monogram on a torn shirt,
I see you spelled out on storefront windows
And on the bright unfurled awnings of this city.
I say the syllables as I turn a corner —
Kelly and Lee,
Medina, Nardella, and O’Connor.
When I peer into the woods,
I see a thick tangle where letters are hidden
As in a puzzle concocted for children.
Parker and Quigley in the twigs of an ash,
Rizzo, Schubert, Torres, and Upton,
Secrets in the boughs of an ancient maple.
Names written in the pale sky.
Names rising in the updraft amid buildings.
Names silent in stone
Or cried out behind a door.
Names blown over the earth and out to sea.
In the evening — weakening light, the last swallows.
A boy on a lake lifts his oars.
A woman by a window puts a match to a candle,
And the names are outlined on the rose clouds —
Vanacore and Wallace,
(let X stand, if it can, for the ones unfound)
Then Young and Ziminsky, the final jolt of Z.
Names etched on the head of a pin.
One name spanning a bridge, another undergoing a tunnel.
A blue name needled into the skin.
Names of citizens, workers, mothers and fathers,
The bright-eyed daughter, the quick son.
Alphabet of names in a green field.
Names in the small tracks of birds.
Names lifted from a hat
Or balanced on the tip of the tongue.
Names wheeled into the dim warehouse of memory.
So many names, there is barely room on the walls of the heart.
10 Monday Sep 2012
Tags
9/11, anything can happen, Art, cognitive itch, Dr. Victoria Williams, earworms, involuntary music imagery, Memoir, Moving Memories Phoenix Arizona, Moving Memories Phoenix Memorial, music memory, New York, New York City, Northern Ireland, Rolling Stones, Seamus Heaney, Shattered, terrorism, The Rolling Stones, Themes of childhood, World Trade Center 11 years on
The Rolling Stones “Shattered” was stuck in my head all weekend long, not all of it, just a few bars, just enough to be maddening. Not the first time, nor will it be the last, for me to fall prey to an “earworm.” I’m not alone. It turns out, according to psychologist Dr. Victoria Williams that 90% of people experience this “involuntary musical imagery” at least once a week, whereby “a tune comes into the mind and repeats without conscious control.” There are other words for it too according to the International Conference on Music and Cognition website – Dr. Oliver Sacks calls it “sticky music” or “brain worms,” Dr. James Kellaris describes it as a “cognitive itch,” which, he suggests may be relieved by singing aloud the mental tune. Dr. Daniel Levitin, who studies the neuroscience of music, refers to it as “stuck song syndrome.” Levitin also points out that “the songs that get stuck in people’s heads tend to be melodically and rhythmically simple.” Not to diminish the genius of Jagger and Richards, “Shattered” is not a complex tune. Then again, the same might well be said of the opening four notes of Beethoven’s Fifth Symphony.
Because music memory is unconscious, so effortless, researchers like Dr. Williamson are fascinated by the implications of understanding it, hoping that if they can better understand why some songs “stick” more than others, they might also find that music memory could help treat patients who suffer from memory loss. Williamson tells NPR’s Jon Donvon that because songs are typically recalled with such accuracy, “this tells us something about the automaticity of musical memory and its power as a tool for learning . . . imagine if we could recall facts that we wanted as easily as we can bring new ones to mind without even trying.” Imagine, indeed. Anyone interested in learning more about the music in their head, can visit The Earwormery to participate in research studies being conducted by a team at Goldsmiths, University of London and BBC 6Music.
Back to the Rolling Stones and “Shattered.” I know what caused this “cognitive itch.” It began with a random email from my brother, which in part, read as follows:
… it’s easy, given the antics of The Rolling Stones in their dotage, to forget what a brilliantly bratty, snottily subversive band they once were. Today, the workings of the shuffle function on my iPod unexpectedly presented me with ‘Shattered’ from ‘Some Girls‘. What a great song! I recall once reading an interview with the New York songwriter Ed Hammell. He recalls being in a bar in Manhattan just a couple of days after 9/11. There was a disco in the bar, and people were dancing to the usual floor-filling favorites, probably trying to forget about the horror of terrorists having blown the heart out of their city. ‘Shattered’ came on, its pumping, driving rhythm prompting whoops and hollers and dancing, until that line which Mick Jagger delivers with the utmost indifferent cheek, “Life an’ joy an’ sex an’ dreams are still surviving on the streets, an’ look at me . . . I’m in tatters. I’m shattered . . .” and within seconds those on the dance floor were embracing each other tightly and weeping uncontrollably. And the way they stayed so, until the song ended, struck Hammell as one of his saddest and yet most affirming memories of post 9/11 New York.
Well, little brother of mine, so far away from New York City and even farther away from Limerick, Ireland, I decided to visit Wesley Bolin Memorial Plaza to pause a while by the 9-11 memorial and to remember again when I first heard about those planes crashing with such force into the heart of New York city. It had been a clear blue morning there, the city’s skyline sparkling in the sunshine, as it was here in Phoenix. I had just dropped Sophie off at pre-school, not yet fully aware of the horror that, by day’s end, would envelope us all.
Until the morning of September 11, 2001, I had taken for granted the sense of security I felt as a woman who had traded in Northern Ireland for America. Such naïvety. I had forgotten that anything can happen. I had grown complacent. Confident. Over-confident that – unlike her mother – my little American girl would never catch herself looking twice at an unattended shopping bag forgotten by someone who was merely in a hurry, or find herself standing stock still with her shoes off and her arms over her head while an airport security guard frisks her or wonder while poring over international headlines, how a complete stranger could hate her because of her nationality.
But anything can happen – it always does.
Anything Can Happen by Seamus Heaney
After Horace, Odes, I, 34
Anything can happen. You know how Jupiter
Will mostly wait for clouds to gather head
Before he hurls the lightning? Well just now
He galloped his thunder cart and his horsesAcross a clear blue sky. It shook the earth
and the clogged underearth, the River Styx,
the winding streams, the Atlantic shore itself.
Anything can happen, the tallest towersBe overturned, those in high places daunted,
Those overlooked regarded. Stropped-beak Fortune
Swoops, making the air gasp, tearing the crest off one,
Setting it down bleading on the next.Ground gives. The heaven’s weight
Lifts up off Atlas like a kettle lid.
Capstones shift. Nothing resettles right.
Telluric ash and fire-spores boil away.
Anything can happen.
Coming into focus is a stark and sobering reminder of this truth, the diminutive and solitary piece of a steel beam salvaged from the World Trade Center. Far from home, it is now a part of Phoenix, Arizona, a memorial to all who perished in those cataclysmic attacks on America on September 11, 2001. The concrete on which it sits at Wesley Bolin Plaza is mixed with rubble from the Pentagon and earth from Shanksville, Pennsylvania where Flight 93 plowed into an empty field.
From 10 o’clock in the morning until 3 o’clock in the afternoon, the predictable rays of Phoenix sunshine pierce unforgettable etchings, messages laser-cut on a sweeping canopy of steel, thereby illuminating on the great circle of concrete directly below, a moving sequence of dates, times, events, and emotions. Thus, “Moving Memories” appear and disappear with the sun.
Moving always.
Lest we forget.