moving memories from New York to Phoenix
10 Tuesday Sep 2013
10 Tuesday Sep 2013
23 Sunday Jun 2013
Tags
ballycastle, Belfast, Brand New Key, Catholics, I'll tell me ma, Melanie, Northern Ireland, Protestants, Rathlin Island, segregated schools, sinead o'connor, Working class women in Northern Ireland
“On yonder hill there stands a lady Who she is, I do not know. All she wants is gold and silver, All she wants is a handsome beau . . .”
My breath quickens with every tentative jump over the skipping rope, its ends twirled by two girls who are singing about the lady standing on the hill. I am wearing glasses to correct a lazy eye, and there are scabs on my knees from falling because I hadn’t been looking where I was going. In primary school, I was good at spelling, reading, and music, but I could never quite pull off a handstand or a cartwheel. I could swim, sort of, having been taught by my father, a seasoned distance swimmer, who, along with his pal Bobby McVeigh, trained for the bitterly cold North Atlantic swim from Ballycastle to Rathlin Island. As far as athletic pursuits were concerned, I was competent in only three areas – hopscotch, skipping, and riding around the Dublin Road estate on my red bike. On school sports day, you would find me giggling with a friend in the egg and spoon or three-legged races, and you would probably find me crossing the finish line in last place. I had no interest whatsoever in the more serious events like the high jump or the long jump or the relay race, where competition was fierce and stainless steel trophies were up for grabs. Instead, I wanted to be under a tree reading a book by Enid Blyton or making daisy-chains, or circling the estate on my bike or on my rollerskates. Alone, I could daydream. I could be Melanie singing Brand New Key. But when everyone else came out to play in our Housing Executive estate, I was the scared one, the one afraid to jump off the roof into the barley field or to ride my bike with no hands. I was always afraid of what letting go might mean for me, afraid of getting in trouble, of falling . . .
Across time and distance, I can still hear those sing-song voices and the catch of my own breath and the self-doubt criss-crossing my mind. I can’t tell you the rest of the song, what comes after “gold and silver” or if the lady got the nice young beau or if she ever came down from the top of yonder hill. Still, whoever she was, she has been in a corner of my mind for almost 50 years. Perhaps she had been one of the landed gentry, or maybe she just represented whoever it was we were supposed to be when we grew up. Who were we supposed to be? It was in the mid-1970s, and we were female, Protestant, working class, and we were in Northern Ireland.
I did not know what “working class” meant; I thought it had something to do with my mother and father not playing golf, and me not being interested in hockey. By the time I was a teenager, I read Jilly Cooper’s razor-sharp Class and had a better idea of the role of class and religion in our beleaguered wee country. For a time, I didn’t even know what “protestant” meant. Once, when my Roman Catholic friend, Mary, took my bike as a joke, and kept it for only an hour or two, I retaliated by calling her a “Protestant” thinking it was a suitably bad word but not quite profane enough to get me in trouble. I was wrong. My father and mother were mortified and told me in no uncertain terms, that there were two words that would not be spoken in our house – Protestant and Catholic. At the time, I didn’t really understand. I just knew there was a difference between us and Mrs. Allen the grandmotherly woman who used to babysit me when ma and daddy went out to dances, and the Crillys, the family who lived around the corner, a difference that manifested itself on Sunday mornings when we went to different houses of worship and on weekdays when the children went to different schools. It had something to do with religion and at set times throughout the years, it was more noticeable than others.
In the early 1940s, my mother attended her first school, Lemnaroy Public Elementary School, in rural south Derry. She remembers there were just two teachers, and both Catholic and Protestant children attended class together. Mrs. McCurry taught The Infants and Mrs. Mulholland taught Third class and up. Once a week, for twenty minutes, the local Catholic priest came and offered religious Instruction to the Catholic pupils, but in all other areas, the children learned and played together. Although not declared officially “an integrated school,” those teachers created a small and integrated, cohesive community such as that President Obama described when he spoke at Belfast’s Waterfront last week:
“Whenever your peace is attacked, you will have to choose whether to respond with the same bravery that you’ve summoned so far or whether you succumb to the worst instincts, those impulses that kept this great land divided for too long. You’ll have to choose whether to keep going forward, not backward.’
Obama went on to endorse an end to the segregated housing and schools that kept us apart. Maybe he was invoking Dr. Martin Luther King’s dream for a future where there was a seat at the same table for children of every creed and color, a tomorrow where Catholics and Protestants would attend the same school. But President Obama cannot know those impulses that are alive and well in a country much older than America.
In 1981, it was a small group of Belfast parents who dared to change the course of history, to force the issue, to confront aloud what happens to the heart of a country and the identity of its children when they are educated in segregated schools. Ordinary Catholics and Protestants, we already knew what happened. And even though we still don’t have the answer, it gives me pause to know that in 1957 by Nobel Peace Prize recipient, Lester Bowles Pearson asked this of us:
How can there be peace without people understanding each other, and how can this be if they don’t know each other?
How indeed. From almost three decades as a professional educator, I know there is no better place to learn about one another, to learn about humanity, than in the safety of a classroom. In 1981, Lagan College became the first integrated secondary school in Northern Ireland to offer such a space for boys and girls, Catholics and Protestants. On the first day of school, under armed guard, Lagan College opened its doors to 28 children. It is different today. According to the school’s website, as of September 1, 2012, there were 1,253 students at Lagan College. I wish it had been an option for me.
I was the first in our extended family to pass the eleven-plus exam, “the qualifying” as it used to be called and to go on to a Grammar school rather than the Secondary. Like my Uncle Jim who had long since emigrated to America, I was bound for university. My parents were delighted. I would attend Antrim Grammar School in a French blue blazer with “tolerance and development” embroidered on its breast pocket, a gray pleated skirt and black laced shoes the heels of which could be no higher than an inch. My mother and father had done everything to make sure I had a chance at a lifestyle that had eluded them, perhaps a chance at being that lady on the hill. There were elocution lessons with the delightfully named Mrs Lavender and later, a correspondence course to help prepare me for the eleven-plus. There were private piano lessons, and exchange visits to other European countries in the summer, traveling with an orchestra. For a time, I think my father wanted me to be a doctor. In vain, he tried to help me understand the value of science and mathematics, the burgeoning opportunities in those fields, but I fought him on it. I was a teenager and rebellious and didn’t know any better, but I thought I did. He wanted only for me to be equipped with an education that would keep me competitive, ensure me options and opportunities that had been denied him. He didn’t understand that I loved only literature and music, and I didn’t even try to understand that science and mathematics might open doors for me as a woman. He wanted me to be in control of my destiny, with a string of letters after my name that no one could ever away from me. And reminding me now of Seamus Heaney who grew up just down the road from her family, my granny always said, “A pen was easier handled than a spade.” Thus, I went off in 1981 to live In Belfast, to pursue, of all things, a teaching degree in English and Music, with no intention of ever using it.
I’ll tell me ma when I get home,
the boys won’t leave the girls alone;
They pulled me hair and they stole me comb,
but that’s all right till I go home.
She is handsome, she is pretty,
She is the Belle of Belfast city
She is courtin’ – one, two three.
Please won’t you tell me who is she?
Please won’t you tell me, who is she?
Almost thirty years later, I have a better idea of who she was and who I am. A wife and mother who works at a university in the southwestern corner of the United States of America, I miss home. I have written about it before. With every year that passes, every month, and every day, my thoughts invariably turn “back home,” sometimes, maddeningly, to the very things that drove me away from it, the relentless rain and the low-hanging clouds, the lack of anonymity and, of course, to the uneasy and fragile peace. Sometimes, I have to remind myself that I left Northern Ireland not to find myself; there were bigger and more powerful forces at work. Segregated schools, hearts hardened by sectarianism, high unemployment – a potent brew of diminished possibilities and broken promises drove me into exile, into the global embrace of the Irish Diaspora.
Perhaps I am not too different from the characters that fill so many stories of the Irish in exile, like James Bryden in George Moore’s “Home Sickness,” who works in the Bowery in early twentieth century New York. When he falls ill, his doctor recommends a sea voyage, so Bryden decides to see Ireland again, an Ireland he has since romanticized. Thus, when he returns and encounters again the harsh realities facing the peasants in his village, his disillusionment with Ireland is replaced with a yearning for the America he has left behind. The slum in the Bowery now transformed in his memory, he wholly rejects the prospect of spending his life in Ireland with Margaret, a woman whose memory will return to him many years later when he is old, back in the Bowery, with a wife and family:
There is an unchanging, silent life within every man that none knows but himself and his unchanging silent life was his memory of Margaret Dirken. The bar-room was forgotten and all that concerned it and the things he saw most clearly were the green hillside, and the bog lake and the rushes about it, and the greater lake in the distance, and behind it the blue line of wandering hills.
Ostensibly, it is the simple tale of a malcontent for whom the grass is invariably and always greener on the other side. I suspect a similar tension lurks in the heart of every Irish immigrant, and with age, grows a desire to hold on to home or some pleasant version of it – yet from a distance.
When I was diagnosed with breast cancer in November 2011, I craved home. I wanted my mother, but she was so far away. I wanted to press my ear into the phone and retrieve from rainy, rural Northern Ireland, those comforting colloquialisms that would ring odd and foreign in the desert southwest of the United States with its impossibly predictable sunshine. Home brings the language I know and love, words like these from a neighbor from my childhood leaping into my heart from a Facebook message: “It must be so difficult to cope with that burden when you are so far from your mammy. I’m sure she is all you want at the minute, as always, when trouble visits your door.”
When trouble visits your door … I had not heard that phrase in years. In an instant, I was 12 years old all over again, in the house where I grew up, stretched out on the good settee, trying to concentrate on a new Enid Blyton book rather than the blistering chicken pox my mother tried to soothe with great pieces of cotton wool saturated in Calamine lotion. From the farthest edge of America, I reached out to that big Catholic family that grew up around the corner. Within hours, they had rallied the troops and were with my mother who felt so helpless and so faraway from her “wee girl who got cancer,” for my stoic father who could fix anything. I will never forget their kindness.
Following the shock of that diagnosis, the biopsies, the mastectomy, the behavior of those who, while the cat was away, played a new game, and the continuing treatment, I found myself nostalgic for the rhythms of home. Thus, I was delighted to find on the internet a site devoted to the town of my childhood, where long-time and former residents could post pictures and memories of growing up there. Initially buoyed by the well wishes of people I hadn’t seen for years, I was enchanted by faces softened with age and experience, with children and grandchildren. But too, there was something that troubled me – an elephant in the room. I began noticing the heavy presence of photographs of July 12th parades, Lambeg drums, of men in bowler hats and orange sashes. It felt like looking back and turning back at the same time, back to a time when we were told who we were by the schools in which we were placed, the flags that flapped above us, the bonfires that blazed on the eleventh night, the colors painted on the kerbs, the bunting strung between lampposts. Oppressive, exclusionary, and incendiary. No flag ever hung from the windows of our house, my parents sensitive to the fact that we lived in a mixed community and much more interested in what we had in common than our differences. Thus, it was jarring to see on this website, the smiling profile pictures, including my own, alongside pictures of Union Jacks and flags bearing the Red hand of Ulster.
Decades later and living in America, I may still be unsure of myself, but I am certain that there is more to me than the flag of any country. Accordingly, I remarked on what I perceived as exclusionary the relentless parade of pictures of bands marching through our hometown and banners depicting William of Orange and an ancient battle in 1690. Polarizing, political, it made me feel uncomfortable, especially for the Catholic members of the group who did not share a loyalist background. Less a way to reconnect over the things we all had in common, it seemed more an overt celebration of the Orange Order. Well, the denial came swiftly. I was told to keep my opinions to myself and that I should be ashamed of myself for not being proud of “my culture.” Who was I to question? And just as I left Northern Ireland all those years ago, I left that group. Good riddance, I could hear them say.
But I think of my parents and all those who remain there, who are good and decent and just want a quiet life. In the summer of 1987, I visited home. It was “marching season,” with bonfires being erected all across Northern Ireland. In the once pristine field in front of our house, where we all used to play football and rounders and build forts of fresh-cut grass, the Royal Masserene Golf Course looking over Lough Neagh behind it, was a monstrous mound of tires and pallets that would be set alight on the Eleventh Night. Out of curiosity and concern for the air that hung above the largest freshwater lake in the British Isles, for the air we all breathed, I walked over to the site of the bonfire to count the tires piled there. There were hundreds.
All grown up and ready to take on the world, I contacted the Department of the Environment for Northern Ireland and the local Housing Executive to ask if anyone was concerned at all about the environmental impact impact of bonfires or the potential threat to public health. I deliberately avoided any mention of sectarianism or politics. In fact and ironically, my comments seemed more incendiary than the bonfire itself.
A decade later, I learned that smoking had been outlawed in virtually all enclosed public places and workplaces in Northern Ireland. The irony of it. A smokefree country except on the 11th night of July when those in power sat back and watched while thousands of burning tires released styrene, butadiene, benzine, lead, chromium, cadmium, mercury, hydrogen sulphide, zinc, and god knows what else into our air, putting at particular risk the children who danced around those fires. For days afterwards, smoke continued to waft high from the embers, and my mother daily wiped the black sooty residue from our windows. I wonder often about all the fathers of neighboring families who died so young and how environmental toxins may have contributed. Who cares? Well, some people do, of course, but my growing sense, based on those recent online interactions, is that they may be the exception rather than the norm.
No matter how you color it, a bonfire in Northern Ireland on the 11th July is a political statement. Those who say I am disrespectful of my culture and my heritage and that it is a good thing I left (too bad about the cancer), please explain to me how a bonfire such as this benefits you or your children. And then tell me how you will leave Northern Ireland better than when you came into it?
Who you are, I do not know.
11 Tuesday Jun 2013
Tags
" Saratoga Springs, "Colors, Belfast, Big, coming to America, Donovan, John F. Kennedy International Airport, New York, New York City, Randy Newman, summer camp, Times Square and 42nd Street, Tom Hanks, United States, YMCA
I arrived in America in the summer of 1984, before my final year at Stranmillis College in Belfast. The first words spoken to me in America, “Keep on rollin’, lady,” fell impatiently from the lips of an unwelcoming security guard as I collected my rucksack and proceeded through Customs and Immigration at John F. Kennedy international airport, confirming for me that already, I was too slow for the big city, for the country I had dreamed of for years. Now I’m wondering how it would have benefited anyone in the airport that night, had I walked a little faster.
I spent that first night in America, in the YMCA on Times Square and 42nd Street. This was before the area had been spruced up by the city’s mayor and transformed into the glittering intersection we know today. I think Rudy Giuliani likes to take the credit for the changes, but I’m not sure he deserves it all. On a hot summer night in 1984, there I stood in the doorway of a drug store, my handbag held open, waiting expectantly for someone to search it for explosives, as was the habit of someone who lived in Belfast at the time. Between the jet lag and the scary characters in the street I forgot I was on a New York city street rather than entering either end of Belfast’s Royal Avenue before the promise of peace and urban renewal projects transformed it. Suddenly, I wasn’t sure I liked America very much. It was too loud and too big. It was too tall. There were too many unrecognizable languages and accents buzzing in my ears. And, because there was no VAT, the prices marked on things in the store were different from what you actually paid once the sales tax was added.
For the first time in my life, I was both apart from and a part of a rich tapestry of human diversity and experience. Having spent my entire life in a rainy and relatively homogenized country – on the surface – where almost everyone was pale and under 5’8″, this was sensory overload. Nonetheless, the shock of it would soon give way to an enchantment that has stayed with me. I began taking pictures of random people in the streets of New York, to capture forever the color I was seeing for the first time in faces, in voices, in music. True colors I had never seen before.
One of the top floors of the YMCA had been reserved that first night for those of us who were traveling as part of the exchange program. Although I had felt very brave and independent that morning, in another time zone, boarding the plane in Dublin and leaving Ireland behind, watching the tiny patchwork quilt of irregular green fields grow smaller and smaller as the pilot took us high above the clouds, now I just felt scared and small. I imagine I felt a bit like 13 year-old Josh Baskin in the movie Big, who, after a fortune-telling machine grants his wish, begins an adventure in New York city, in the unforgiving world of work and romance and in the adult body of Tom Hanks. His first night away from home, he is as I was – frightened and needing his mother – trying to block out the noise, the shouting, the sirens, the sound of a city that kept on rollin’. Nothing was still. Like little Josh Baskin, I stayed up all night, the dresser pushed against the door, not sure how my dream of America would unfold. Afraid.
The next morning, I found myself queuing for breakfast in the YMCA, trying to look confident but as clueless as the scores of college-aged travelers from all over the world, around me, each of us laden with a heavy rucksack from which a tell-tale paperback book about “doing America,” peeked. In front of me was a beautiful blonde young woman. Until she opened her mouth and a stream of profanity rushed out, I had assumed she was Scandinavian, on an exchange trip. But by some magic, some divine intervention, she was Irish like me. Jackie Patterson. From Carlow. And, we were both Poughkeepsie-bound, to spend a summer working in the same summer camp upstate New York somewhere in the vicinity of Hyde Park. Thrilled to have been thrown together, we made our way to Grand Central Station and eventually boarded the right train out of the city. Soon, we were in Pougheepsie, which neither of us pronounced correctly, and I don’t remember how we made it to Camp Trywoodie. Unsure what to expect, but after a summer together and all these years later, we would eventually know what the Director Mike Symons would later recall of the experience:
We come together for so short a time – a brief moment in our life’s span – and in just a few short weeks, we are different for having known each other. We are young and old, boys and girls, men and women; we are black and white and a dozen other shades of colors and beliefs. We come from the West coast and the East; from the Western world and the eastern. We come from big cities as well as small villages. We are from a dozen different countries and speak at least that many languages. We come to Trywoodie and find a climate which allows us to hold on to what we are, and at the same time, to reach out and learn about what is at first strange and new to us.
It was a magical summer, full of color and music, and it coincided with the 15th anniversary of Woodstock. On our days off, Jackie and I made our way to the Avenue of the Pines in Saratoga Springs which registered with me only because Carly Simon had sung about it in “You’re so Vain,” to see somebody in concert – a young James Taylor and Randy Newman, The Cars Huey Lewis & The News, Frank Zappa, and Wang Chung. Yes. That Wang Chung. Later in the summer, I made it to Boston, to Foxboro Stadium, for the International Harvesters Festival with Neil Young, The Band, and Willie Nelson, and then back to New York for Bruce Springsteen & The E Street Band. The Boss had just kicked off the Born in the USA tour, and I paid $12.50 for the ticket.
One of the campers, Allie Shepko from Brooklyn, had taught me enough chords on the guitar, well, three (the only three you need), to be able to play a tune or two. I progressed to E minor which helped with the beginnings of so many Neil Young songs. A boy named Andy taught me the beginning of “Here Comes The Sun,” and John the camp photographer and I did our version of “The Weight.” We weren’t half bad and spent the evenings in full song. When we ran out of things to sing, we made up songs about each other. One was devoted to the lovely Alex, ” … of Ceramics,” who reminded me of Sting more so when he abandoned camp and broke his contract to pursue something presumably more exotic. Alex was probably the first “cool” person I ever met. I don’t know what became of him.
My favorite song to sing back then, thanks to John the photographer, and Rick, from England, on guitar, was Donovan’s ‘Colors.‘ To this day, when the sun catches my daughter’s hair, or when I drive past a field of corn or cotton that flashes green, or squint up at an intense blue sky, I think of “Colors” and the times I love the best.
In a couple of weeks, I am making my way back to where my American life started. I’m meeting Barbara “Bee,” in Washington, DC, (we reconnected again on Facebook and in March when I was off being very sensible in a blue suit and talking about formative assessment to a group of policy makers on Capitol Hill. Barbara and I are going to drive from D.C. to Poughkeepsie and then to the site of the summer camp for a reunion.
Barbara is an artist, a writer of songs, and she plays guitar, which I know she will bring. She will also bring plenty of mosquito repellent for me (my reaction to the mosquitoes was legendary and noted by almost everyone who commented in my diary). I still have a song Barbara wrote in my diary, at a time when I was known simply as “Irish.”
Almost thirty years later, I am excited to see those once-in-a-lifetime friends who took up permanent residence in a little corner of my heart and forever changed me, all grown up and grounded, with children of their own perhaps, and to be enchanted once more by fireflies and song and goodwill for a better world.
I can’t wait.
Keep on rollin, lady!
02 Sunday Jun 2013
Tags
Advocacy, cognitive fog, identity, infusion, metastatic breast cancer, Nancy's Point, national cancer survivors day, sentinel node, staging, Times of India, Van Morrison
it is the first Sunday in June, a day set aside to celebrate cancer survivorship. Did you know this “treasured worldwide celebration of life” has been on the calendar for twenty-six years? I wonder would I have been any the wiser had I not been diagnosed myself. So who is a survivor, and who do I think I am? At best, I am ambivalent.
According to the National Cancer Survivors Day website:
… a ‘survivor’ as anyone living with a history of cancer – from the moment of diagnosis through the remainder of life. National Cancer Survivors Day affords your community an opportunity to demonstrate that it has an active, productive cancer survivor population.
Was I surviving before I discovered the lump myself? Is that how we would describe my living – my life – before it was officially declared “surviving?” Is that the label we would ascribe to it, after pronouncing as cancer, the disease that flourished, undetected for as long as a decade, defying three mammograms, hiding in tissue no one had bothered to advise me was dense? Or is there another word for my pre-diagnosis living? A better word? Had I been a more active and productive member of the population before diagnosis and after surgery or during treatment? Is there something about the Arimidex I take every night at nine o’clock that makes me a survivor, or am I just an obedient patient?
On this day last year, I took an interminable trek through the internet, searching for the right word, and encountered a jarring Times of India headline: “National Cancer Survivors’ Day: Gutsy fighters took on cancer, and won.” Took on? Took on Cancer? Won? Those who have been killed by cancer, are they “less gutsy” than the rest of us? Those with metastatic breast cancer, what of them? As a country, we do a great job ignoring them altogether. Is it because they are losers in this breast cancer lottery? Is that what we would call them? Would we?
Of all the words that no longer connote for me what they once did, “survivor” is the one that leaves me entirely flummoxed. As I have mused previously, the diagnosis has forever changed certain words for me – “staging” I no longer immediately associate with the theater; “fog” I am more apt to attach to a state of cognitive loss than Van Morrison’s misty morning fog or the cloud that can obscure parts of Pacific Coast Highway as we head north in the summertime; and, “cure” is no longer the idiomatic “hair of the dog that bit you,” rather a confounding and elusive thing all wrapped up in a pink ribbon. “Mets” no longer the other New York baseball team, but a tragic abbreviation for metastatic breast cancer from which no one survives yet of all the millions of dollars raised for breast cancer research in this country, only 2% of it is directed to metastatic breast cancer.
Even “sentinel,” which was reserved, until cancer came calling, for a lonely cormorant perched on a post in the shallow waters of sleepy Morro Bay, I now associate with the first node to which cancer cells are most likely to spread from a primary tumor. Until one afternoon at the oncologist’s office, “infusion” had been something done to transform olive oil into a gourmet gift. But because I had turned left instead of right upon leaving, I missed the exit and instead found myself on the threshold of the infusion suite, a room I didn’t even know was there. Feeling as though I had intruded, I fled. But not before I had registered a row of faces of people sicker than I. In one microscopic moment, I made eye contact with a young bald woman and wondered if perhaps she was cold because, as I turned away, I noted a quilt on her lap. I turned away and thought of Shakespeare’s “enter fleeing” stage direction. Ashamed. Guilty.
Ironically, there was a moment last year, in response to a poignant and provocative piece of writing at Nancy’s Point, when I felt compelled to remark that somehow I was beginning to make some kind of order out of my life since cancer. Or my life with cancer. Or my surviving cancer. I wrote that I was learning to make room for it, to make sense of it no less. Well, that was a bit premature, wasn’t it? Cancer makes no sense at all.
So the headline from The Times of India troubled me. I do not feel gutsy. Nor do I feel like a winner. Nor am I comfortable with being described a survivor. What then? I am a cancer patient. I am in treatment. I am aware that my treatment, currently, does not impinge on my life to the extent that it would were the disease more advanced. If it progresses, that is.
A profound sense of guilt accompanies this awareness. Why? It confounds me and reminds me of growing up in Antrim, a small town in Northern Ireland. At a safe distance. Except the times our kitchen window shook because a bomb had exploded somewhere. Or the time when the bomb exploded outside Halls Hotel. Or coming back to her brother’s house in Belfast after a great Saturday night out with Sk’Boo playing at The Errigle Inn in Belfast, to find my friend Ruth’s car had been stolen and set ablaze as a barricade somewhere on the other side of Belfast. Or the time my brother, as a young journalist, was sent to conduct a harrowing interview with the heartbroken grandmother of three little boys who had been murdered
In May the Lord in HIs Mercy be Kind to Belfast, based on his interviews with the people who lived there, Tony Parker makes an unsettling but astute observation that those born and brought up in Northern Ireland have a mutual need to know, from the start, about a person’s background, so they can proceed in the dialogue, the longer relationship, without saying the wrong thing, “the wrong word.” The schools we attended, our last names, the way we pronounce an “H” all became clues to help establish “who we are,” and if we are to be feared. “Derry” or “Londonderry?” “The Troubles,” “the struggle, or “The Irish Question?” “Ulster” or “The Six Counties?” Between the turmoil in the country of my birth and cancer country, I find that myth features prominently, in particular the myth that victims have in some way, brought it upon themselves. Breast cancer? Didn’t you go for mammograms or do your monthly self-exams? Lung cancer? Oh, you must have been a smoker? Skin cancer? Didn’t you wear your sunscreen? It is a curious mix of sympathy and blame that engenders detachment.
The calendar takes on a new significance, too. The people of Northern Ireland could fill a calendar with anniversaries, those of Bloody Sunday, the bombing of Omagh and Enniskillen, Internment, the Twelfth of July. Most of us physically untouched by these, but changed nonetheless. Survived. The images are indelible. Iconic. Father Edward Daly waving a blood-stained handkerchief on a Derry street on Bloody Sunday, the carnage on Market Street in the heart of Omagh, orange sashes, bowler hats, Lambeg drums, and The Guildford Four. While I have personally passed just one “cancer anniversary”, I have already penciled in my two-year appointment in November. In the end, I suppose every day marks an anniversary of something.
On the question of language, there is no easy answer. Within terrorism, within cancer, and the respective wars waged against both, are words and phrases that sanitize and even glamorize the suffering and pain, that hide the horror and heartbreak visited upon ordinary people going about their daily lives.
I first fell upon the words of writer, Damian Gorman, some twenty years ago. I was channel-surfing in my living room in America and stopped on Channel 8 when I heard a voice from home, narrating Devices of Detachment, a “verse film” about the role of ordinary people like me during The Troubles. It has stayed with me for all these years, and resonates deeply through these ruminations on the complexities of cancer, the politics of its lexicon, its races and pink ribbons, the platitudes we use to keep the ugliness and horror of it – the mets – as far away as possible. He describes the bombs, bullets, the “suspect incendiary devices” all too familiar in 1980s Northern Ireland as far less deadly than the “devices of detachment” its people used to distance themselves from the violence. Aware of it, yet so removed.
We are, all of us, very good at “detachment,” aren’t we?
“I’ve come to point the finger I’m rounding on my own The decent cagey people I count myself among We are like rows of idle hands We are like lost or mislaid plans We’re working under cover We’re making in our homes Devices of detachment As dangerous as bombs.” ~ Damian Gorman