When I die Give what’s left of me away To children And old men that wait to die. And if you need to cry, Cry for your brother Walking the street beside you. And when you need me, Put your arms Around anyone And give them What you need to give to me.
I want to leave you something, Something better Than words Or sounds.
Look for me In the people I’ve known Or loved, And if you cannot give me away, At least let me live on in your eyes And not on your mind.
You can love me most By letting Hands touch hands, By letting Bodies touch bodies, And by letting go Of children That need to be free.
Love doesn’t die, People do. So, when all that’s left of me Is love, Give me away.
I’ll see you at home In the earth.
He always knew he would be the first to go. Far better that way, he used to say, because then he wouldn’t have to miss me. Far better – for him. A private man, my late husband also insisted that death was a private business. When the time came, he wanted to die alone, just to sleep on. There was to be no fuss, no funeral, no flurry of condolences, not even a goodbye if he could help it. Maybe he was afraid I wouldn’t know what to do or say; maybe he thought it would be easier if he just disappeared into nothingness without ceremony. He would have been wrong.
Like a catechism, I know what to do and say. Knowing is part of the Northern Ireland culture that formed me – it is sewn tidily in our DNA – and I am bound to it. Where I’m from, we know to mark the time of death, to stop the clocks and cover the mirrors, to draw down the blinds and close the curtains; we know what to say and what to do at the wake when led silently into a small bedroom where the deceased has been “laid out” in an open coffin; we know how to pay our respects in private and in public, how to offer condolences over tea in china cups balanced on saucers bearing digestive biscuits; we know when to shake hands, when to whisper, when to weep and when to throw our heads back in laughter over the craic about a life lived in full.
There would be no funeral, the likes of which I remember from my childhood, the women staying behind and staying busy, making sandwiches cut into tidy little triangles and placed with shortbread and buns on three-tiered china cake stands. After the burial, the men returned to the house followed by a steady stream of mourners, to pay their respects over cups of tea and maybe a half-un of whiskey. After my grandfather’s funeral, my mother reminds me the men came back to the house not for a cup of tea in your hand, in the parlance, but instead to sit down at a tea-table, on which a white linen tablecloth bore plates of salad, meats, chutneys, and homemade damson plum jam to spread on just baked wheaten bread. Well into the wee hours, callers came and went with hugs and home-baked Victoria sponges and songs and stoic handshakes punctuated with that simple salve – “I’m sorry for your trouble” that conjures Big Jim Evans and the old men in Heaney’s Mid-Term Break – parochial and intimate.
There was none of that for Ken, and without these rituals in the days following his death, I raged internally and selfishly. Only because he expected me to accept and respect his wishes – and because I had promised – I complied. Against my will, I privatized my mourning and got lost in the ever-widening distance between the Arizona desert and a blacksmith’s forge on the side of the road in rural South Derry. I wanted the bits and pieces of a public goodbye and to fill the air with his favorite music, a bit of trad, a toe-tapping Irish reel. I wanted a place to go on his birthday, to bring flowers, maybe some freesias because he loved their scent. He wanted none of that. No ceremony. No punctuation mark. Just an empty space.
I was far away when he died. A few days before, I had visited the graveyard in Bellaghy where Seamus Heaney is buried. My recollection of that visit is fresh – the mound of Derry soil not yet settled under a sycamore tree, no marker other than a makeshift sign at the entrance to the car park, two struggling plants, a bouquet, and a handwritten thank you note. The sycamore leaves scattered on the dirt and wet from the rain, the clouds hanging heavy and low, I remember thinking that when the time came, a naturalist like my husband would maybe consider such a spot as a final resting place.
The local grave-digger, P.J. Rea, honored to tend to this particular task and moved by the number of people visiting to pay their respects, considers the unasked question:
I don’t know what Seamus would have made of it but I think he might be pleased enough.
I think so too.
When I returned to Bellaghy the following summer, I visited the grave again. This time, a simple wooden cross leaned into the dirt. This time, I was a widow, changed and contemplative, convinced that cosmic strings keep us connected. This time, I wondered about the spiritual space in which both men might move. Where are they?
In Stepping Stones,Heaney tells Dennis O’Driscoll that he did not fear death the way he had done as a boy.
It’s more grief than fear, grief at having to leave ‘what thou lovest well’ and whom thou lovest well.
Unsure of what to say but saying it anyway, some people in those early days told me my husband had gone on to a better place. What place could be better than here among the living? What place could be better than at our kitchen table opening a hand-made birthday card from his daughter or at the Motor Vehicle Department when she nailed the parallel parking and got her license, or on the other end of the line to hear the news of her acceptance into a graduate program or that she’s madly in love with a boy who is kind and true? How could any place be better than a ring-side seat at the milestones yet to come?
There is no more desolate space than the empty seat at the table.
For just a minute today, I’d like to hear the two of them laugh over a comic strip in the Sunday paper. The truth is that all these years later, it still sometimes feels as though he just went missing.
Where is he?
The lingering wonderings are different from the madness that accompanied the early urgent grip of grief, the all-consuming quest to fix the unfixable, stop time, close distance, find the right word, and do the right thing. Doing the right thing – as he had requested – felt wrong.
He did not want to be buried in the ground. He wanted to be cremated, and he wanted his ashes – all of them – strewn on a piece of ground in the desert, at the base of Black Mountain, where his childhood home had once stood – his first place.
We obliged. My parents, far from Heaney country, our daughter, and a close friend did as he asked, each of us taking turns to empty the bag that contained the cremated remains of this man we loved. That bag probably weighed no more than five pounds. Fixating on that detail, I wondered about his soul and the weight of it and its whereabouts. Where was it? Where is it? Is it possible he knows we’re thinking of him today?
On his birthday, two years after he died, we returned there to find “his” tree had been cut down and the surrounding area chained off for commercial development. For the time being, an empty space that brought me to tears even though the rational part of me knew and knows that not for one second would he have expected his desert space to remain unspoiled. Coolly resigned to the price of urban progress, he would have been unfazed. Still, I was resentful again, angry that there was no place for us to visit, no headstone to adorn with fresh flowers on milestone days – the anniversaries of the day we married, the day our girl was born, the day of his death, or a day like today – his birthday.
With the right words at the right time – again – came Seamus Heaney and the epitaph from The Gravel Walks inscribed on the headstone in place for the second anniversary of his death. Lines he had explained once to the Harvard Crimson
A person from Northern Ireland is naturally cautious. You grew up vigilant because it’s a divided society. My poetry on the whole was earth-hugging, but then I began to look up rather than keep down. I think it had to do with a sense that the marvelous was as permissible as the matter-of-fact in poetry. That line is from a poem called ‘The Gravel Walks,’ which is about heavy work—wheeling barrows of gravel—but also the paradoxical sense of lightness when you’re lifting heavy things. I like the in-betweenness of up and down, of being on the earth and of the heavens. I think that’s where poetry should dwell, between the dream world and the given world, because you don’t just want photography, and you don’t want fantasy either.
The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second.
All that’s left of him now is love – to give away.
So walk on air against your better judgement Establishing yourself somewhere in between Those solid batches mixed with grey cement And a tune called The Gravel Walks that conjures green
I thought of walking round and round a space Utterly empty, utterly a source Where the decked chestnut tree had lost its place In our front hedge above the wallflowers.
He always knew he would be the first to go. Far better that way, he used to say, because it meant he wouldn’t have to miss me. Far better – for him. A private man, my husband also insisted that death was a private business. When the time came, he wanted to die alone, just to sleep on. There was to be no fuss, no funeral, no flurry of condolences, not even a goodbye if he could help it. Maybe he was afraid I wouldn’t know what to do or say; maybe he thought it would be easier if he just disappeared into nothingness without ceremony. He would have been wrong.
Like a catechism, I know what to do and say. Knowing is part of the culture that formed me – it is sewn tidily in our DNA – and I am bound to it. Where I’m from, we know to mark the time of death, to stop the clocks and cover the mirrors, to draw down the blinds and close the curtains; we know what to say and do when led silently into a bedroom where the deceased has been “laid out”; we know how to pay our respects in private and in public, how to offer condolences over tea in china cups balanced on saucers bearing digestive biscuits; we know when to shake hands, to whisper, to weep and when to throw our heads back in laughter over a bit of craic about a life lived in full.
Without these tiny rituals in the days following my husband’s death, I raged internally and selfishly. Only because he expected me to accept and respect his wishes – and because I had promised – I complied. Against my will, I privatized my mourning and got lost in the ever-widening distance between the Arizona desert and a blacksmith’s forge on the side of the road in rural South Derry. I wanted what I couldn’t have.I wanted the bits and pieces of a public goodbye and to fill the air with his favorite music, a traditional toe-tapping Irish reel. I wanted somewhere to go on his birthday, to bring flowers, perhaps a bunch of freesias because he loved their scent. He wanted none of it. No ceremony. No punctuation mark. Just an empty space.
I was back home when he died. A few days before, I had visited the graveyard in Bellaghy where Seamus Heaney is buried. My recollection of that visit is fresh – the mound of Derry soil not yet settled under a sycamore tree, no marker other than a makeshift sign at the entrance to the car park, two plants, a bouquet, and a handwritten thank you note. The sycamore leaves scattered on the dirt and wet from the rain, the clouds hanging heavy and low, I remember thinking that when the time came, a naturalist like my husband would maybe consider it as a final resting place.
The local grave-digger, P.J. Rea, honored to tend to this particular task and moved by the number of people visiting to pay their respects, considers the unasked question:
I don’t know what Seamus would have made of it but I think he might be pleased enough.
I think so too.
So when I returned to Bellaghy the following summer, I visited the grave again. This time, a simple wooden cross stood in the dirt. This time, I was a widow, changed and contemplative, convinced that cosmic strings keep us connected. This time, I wondered about the spiritual space in which both men might move. Where are they?
In Stepping Stones,Heaney tells Dennis O’Driscoll that he did not fear death the way he had done as a boy.
It’s more grief than fear, grief at having to leave ‘what thou lovest well’ and whom thou lovest well.
Unsure of what to say but saying it anyway, some people told me my husband had gone on to a better place. Then – and now – I rail against them. What place could be better than here among the living? What place could be better than at our kitchen table opening a hand-made birthday card from his daughter or at the Motor Vehicle Department when she nailed the parallel parking and got her license, or on the other end of the line to hear the news of her acceptance into a graduate program or that she’s madly in love with a boy who is kind and true? How could any place be better than a ring-side seat at the milestones yet to come?
Is there a more desolate space than the empty seat at the table?
For just a moment today, I’d like to hear him laugh again with my daughter. All these years later, it sometimes feels as though he just went missing.
Where is he?
The question that will remain unanswered, it is very different from the madness that accompanied the early urgent grip of grief, the all-consuming quest to fix the unfixable, stop time, close distance, find the right word, and do the right thing. Doing the right thing – as he had requested – felt wrong.
He did not want to be buried in the ground. He wanted to be cremated, and he wanted his ashes – all of them – strewn on a piece of ground in the desert, at the base of Black Mountain, where his childhood home had once stood – his first place.
We obliged. My parents, far from Heaney country, our daughter, and a close friend did as he asked, each of us taking turns to empty the bag that contained the cremated remains of this man we loved. That bag probably weighed no more than five pounds. I recall fixating on this detail, wondering about Ken’s soul and the weight of it and its whereabouts. Where was it? Where is it? Is it possible he knows we’re thinking of him today?
On his birthday, two years after he died, we returned to the spot where we had spread his ashes only to find “his” tree had been cut down and the area around it chained off for commercial development. For the time being, it was an empty space. I cried. Of course I cried, even though the rational part of me knew and knows that not for one second would he have expected his desert space to remain unspoiled. Coolly resigned to the price of urban progress, he would have been unfazed. Still, I was resentful again, angry that there was no grave for us to visit, no headstone to adorn with fresh flowers on milestone days – the anniversaries of the day we married, the day our girl was born, the day of his death, or a day like today – his birthday.
Then with the right words at the right time – again – came Seamus Heaney and the epitaph from The Gravel Walks inscribed on the new headstone in place for the second anniversary of his death. Lines he had explained once to the Harvard Crimson
A person from Northern Ireland is naturally cautious. You grew up vigilant because it’s a divided society. My poetry on the whole was earth-hugging, but then I began to look up rather than keep down. I think it had to do with a sense that the marvelous was as permissible as the matter-of-fact in poetry. That line is from a poem called ‘The Gravel Walks,’ which is about heavy work—wheeling barrows of gravel—but also the paradoxical sense of lightness when you’re lifting heavy things. I like the in-betweenness of up and down, of being on the earth and of the heavens. I think that’s where poetry should dwell, between the dream world and the given world, because you don’t just want photography, and you don’t want fantasy either.
The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second.
All that’s left of him now is love – to give away. I am walking on air.
So walk on air against your better judgement Establishing yourself somewhere in between Those solid batches mixed with grey cement And a tune called The Gravel Walks that conjures green
I thought of walking round and round a space
Utterly empty, utterly a source
Where the decked chestnut tree had lost its place
In our front hedge above the wallflowers.
My husband always knew he would be the first to go. Far better that way, he used to say, because it meant that he wouldn’t have to miss me. A private man, he also insisted that death was a private business. When the time came, he wanted to die alone, just to sleep on. There was to be no fuss, no funeral, no flurry of condolences, not even a goodbye if he could help it. Maybe he was afraid I wouldn’t know what to do or say; maybe he thought it would be easier if he just disappeared into nothingness without ceremony. He would have been wrong.
Like a catechism, I know what to do and say. It is part of the culture that formed me, and I am bound to it. Friends from back home agree that it is sewn tidily in our DNA – we know to mark the time of death, to stop the clocks and cover the mirrors, to draw down the blinds and close the curtains; we know what to say and do when led silently into a bedroom where the deceased has been “laid out”; we know how to pay our respects in private and in public, how to offer condolences over china cups of tea balanced on saucers bearing digestive biscuits; we know when to shake hands, when to whisper and weep or when to throw our heads back in laughter over a bit of craic about a life lived in full.
Without these tiny rituals in the days following Ken’s death, I raged internally and selfishly. Only because he expected me to accept and respect his wishes – and because I had promised – I complied. Against my will, I privatized my mourning and got lost in the ever-widening distance between the desert southwest of these United States and a blacksmith’s forge on the side of the road in rural South Derry. I wanted what I couldn’t have. I wanted to visit a grave and bring flowers, perhaps freesias because he loved their scent. I wanted the bits and pieces of a public goodbye. I wanted to fill the air with his favorite music. I knew he wanted none of it. No ceremony. No punctuation mark. Just an empty space.
In November 2013, a few days before he died, I visited the graveyard in Bellaghy where Seamus Heaney is buried. And today, on the second anniversary of our poet’s death, my recollection of that visit is fresh – the mound of Derry soil not yet settled under a sycamore tree, no marker other than a makeshift sign at the entrance to the car park, two plants, a bouquet, and a handwritten thank you note. The sycamore leaves scattered on the dirt and wet from the rain, the clouds hanging heavy and low, I remember thinking that as a final resting place, a naturalist like my husband would maybe consider it.
Unsure what Heaney would think of it, local grave-digger, P.J. Rea, honored to tend to the job and moved by the number of people who visit to pay their respects, considers the unasked question:
I don’t know what Seamus would have made of it but I think he might be pleased enough.
I think so too.
So when I returned to Bellaghy this summer, I visited the grave again. This time, a simple wooden cross stood in the dirt. This time, I was a widow, changed and contemplative, convinced that cosmic strings keep us connected. This time, I wondered about the spiritual space in which both men might move. Where are they? Are they afraid?
In Stepping Stones,Heaney tells Dennis O’Driscoll that he did not fear death the way he had done as a boy.
It’s more grief than fear, grief at having to leave ‘what thou lovest well’ and whom thou lovest well.
So when people tell me my husband is in a better place now, I can’t help but rail against them. What place could be better than here with his daughter, the girl he loved so much and so well? What place could be better than in our dining room to light eighteen candles on her birthday cake or at the Motor Vehicle Department when she nailed the parallel parking and got her license, or in the audience to cheer her on and whistle as she strode across the stage to receive her high school diploma, or when she earned her first paycheck? How could any place be better than a ring-side seat at the milestones yet to come? Is there a more desolate space than his empty seat at the table?
It has been one year, nine months, and fourteen days since Ken died, and my growing preoccupation is with wanting to know where he is. Where is he? Some days, it feels as though he just went missing. Where is he? It is a confounding, gnawing question. It is unrelenting, different from the madness that accompanied the early urgent grip of grief, the all-consuming quest to fix the unfixable, stop time, close distance, find the right word, and do the right thing. Doing the right thing – as Ken had requested – felt wrong.
He did not want to be buried in the ground. He wanted to be cremated, and he wanted his ashes – all of them – strewn on a piece of ground in the desert, at the base of Black Mountain, where his childhood home had once stood. It represented his beginning. It was his first place.
We obliged. My parents, far from their Castledawson home, our daughter, and a close friend did as Ken asked, each of us taking turns to empty the bag that contained the cremated remains of this man who had loved me? That bag probably weighed no more than five pounds. I recall fixating on this detail and wondering about Ken’s soul and the weight of it and its whereabouts. Where was it? Where was Ken? Where is Ken?
About a month ago, my daughter and I returned to the spot where we had spread his ashes, assuming it would be unchanged, frozen in time. Instead, “his” tree had been cut down and the area around it chained off for commercial development. An empty space – for now. Heartsick, I wept for him, for my naturalist, even though the rational part of me knew and knows that not for one moment would he have expected his desert space to remain unspoiled. He had grown resigned to the price of urban progress. Still, I was resentful again, angry that there was no grave for us to visit, no headstone to adorn with fresh flowers on his birthday, or on the anniversaries of the day we met or the day we married, the day our girl was born, or the day of his death.
Another blow.
Then with the right words at the right time – again – came Heaney and the epitaph from The Gravel Walks inscribed on the new headstone in place for today, the second anniversary of his death. The girl with her head in the clouds should never have doubted the man who kept her feet on the ground too. Not for a second.
Ken, you are neither here nor there. You are everywhere, and that is reason enough for “keeping going.”
You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And find the heart unlatched and blow it open.
So walk on air against your better judgement
Establishing yourself somewhere in between
Those solid batches mixed with grey cement
And a tune called The Gravel Walks that conjures green
Twelve days after Ken died, I wrote this post. I haven’t read it since, and I’m not going to read it tonight. Somewhere in the middle of the grief-stricken ramblings, I remember is a pure – and good – memory of this day twenty five years ago – January 13, 1990 – the day when Ken and I embarked on what we both knew was one hell of a love story.
So, I’ll raise a great big whiskey to you tonight, Ken, and tell you that I’d do it all again.
x
11/27/2013
A friend, one who knows, told me the other day that it will take at least a year before the sharp stone of grief will shift from the very center of my being. She told me not to make any big decisions until I make it through all the “firsts” – the first Thanksgiving without him, Sophie’s first birthday without her dad, Christmas and decorating the tree, New Year’s Eve and not-quite-legal fireworks at the end of our street, Valentine’s Day, St. Patrick’s Day, Easter, my birthday, Mother’s Day, Father’s Day, the Fourth of July and fireworks over Morro Bay, summer vacation (will I ever be able to face Morro Bay again?), his birthday, Halloween and pumpkin carving, our Wedding Anniversary, and finally, the first anniversary of his death. His death.
My. Husband. Is. Dead.
And then she said, well, she texted me, which is a good thing because if it’s written down, I’m less likely to forget it:
. . . after a while that pain will feel like a friend. And you will be afraid to lose it because that will mean you are better and over it and not missing Ken any more.
~ just one of the mind games that Grief plays.
This grieving business has brought out the best in people who care about me, beautiful expressions of sheer humanity. It has also brought out the worst – albeit unintentional – in people who don’t know me and don’t love me but who are paid to deal with me, to deal with death for a living, to know what to say to new widows, to know not to say stupid things. (Recent days have brought me back to when I first landed in cancer country, but if you’ve visited this blog before, you know I have beaten that horse to death).
From the people at the mortuary, those with years of experience in the funeral industry, who called me with the first-time-I’d-ever-heard-it-details of Kenneth H‘s last wishes as opposed to Kenneth M’s which I knew like the back of my hand, to the automated email telling me about the online obituary and memorial page even though my husband, a very private man, had been adamant about no obituary and no fuss; to the doctor whose office assistant left a voice-mail telling me that there was nothing else she could do for me because I take four medications already; and then, my husband’s primary care doctor who wanted me to place myself in his position, to take a minute and see where he was coming from, regarding the whole debacle over who should sign the death certificate – hisposition, if you don’t mind – and then my oncologist (whose assistant didn’t return my call for help until after it was too late to call my primary care physician) who wouldn’t prescribe anything for me because, you know, the physical pain of grief has nothing to do with cancer, now does it?
I wanted to scream that if we were still in South Derry, there would be a very nice doctor on the other end of the line, telling my mother he was sorry for my trouble and that he would sort us all out with enough Diazepam to help cope with the shock, the journey back to America, the jet lag, the grief, the pain, the immeasurable sadness. The same doctor didn’t know my mother or me; he was merely the doctor on call, a kind stranger, and he had a heart of gold.
In the twelve days since my husband died – my husband died – can you hear me now? – I have cried and cursed and ranted and raged. I have been irreverent and exhausted and delirious and despondent. I have even laughed about things that should make me cry. I went out today and bought lipstick. Honest to God. I actually got up, showered, put make-up on a haggard face and drove to a store the way I have done thousands of times before, and I bought a cheery lipstick called ninety-nine red balloons. Just like the song.
Floating in the summer sky
Ninety-nine red balloons go by
I also bought a too-expensive-even-though-I-should-be-watching-my-finances-now-that-I’m-a-widow autumnal centerpiece for a Thanksgiving table that will be missing a place-setting. At some point, I noticed I had already changed my Facebook status to “widowed.” I don’t like the ring of it one bit.
Some of these trifling things are great distractions – wondering who will show me how to back-flush the swimming pool or tell me what that even means, or set the timer on the sprinklers or develop that intuition my husband seemed to have about knowing when to change the oil, or rotate tires, or change air filters, or get gas (I always forget to get gas, usually I’m on “E” with the light on. I used to joke about how running on empty is my last stab at living dangerously). It may actually not be that funny.
In the past twelve days, I have learned how to comfort people whose husbands are still alive. I held in my arms the neighbor I don’t know but who brought cheery chrysanthemums to my door. She couldn’t stop crying about the tragedy that has befallen my daughter and me, and I had to get some Kleenex for her and nod that time will ease the pain. Hell, I even consoled the discomfited doctor after she realized that my situation was sort of “urgent” and that, yes, Xanax might help.
Of course Xanax helps. Just ask any of my family members back home, who have endured incredible pain and loss in recent years. At every wake, there’s always some kindly soul passing around the Diazepam the way we used to pass around a pack of cigarettes at the pub. No. I’m not saying that Xanax, Diazepam, or Ativan numbs the grief or takes it away or helps me avoid the reality of loss. It just dulls – briefly – the excruciating physical pain of the sharp stone of grief that’s stuck somewhere in the vicinity of my heart.
Here’s the thing. I was Ken’s wife for one day shy of twenty-two years. That’s a lifetime. When we met, we both knew something special was happening. I used to think we would have fit in rather handily on the cast of Cheers. Ken wasn’t Norm or Cliff, but he was a regular. When he came in to the bar where I was a bartender, I always had a beer ready for him. I would position myself behind the bar, right across from him and nonchalantly wrap silver-ware in paper napkins, exchanging quips and innuendoes with him without making eye-contact, because when I did, I blushed.
A bit of a cliché I was a twenty-something Irish immigrant who had over-stayed her welcome in America and still had a broad Antrim accent. As such, I was the main source of entertainment for the men who had just come off the day-shift; they were easily enchanted by what they considered an Irish brogue, and the more alcohol I served up, the more they wanted to tell me all about their Irish roots. I often dismissed them as “Plastic Paddys,” which they considered a compliment. Now, this was before microbreweries were de rigueur, but I was still overwhelmed by the variety of beer in variously colored cans – yellow for Coors, the Silver Bullet Lite version, blue and white Miller Lite etc The regulars indulged me, “Hey Irish,” they’d beckon and to help me out, they ordered rounds of beer by color: “Gimme three silver bullets, one red and blue, two white and blue, and two yellow.” Ken said I always charged $11.50 a round, but none of them minded.
Ken wasn’t fictional Sam Malone, Cheers owner erstwhile recovering alcoholic and former Red Sox player with a little black book full of women’s names and numbers. Ken didn’t need a team of writers, and I never met a woman who didn’t love him; and, I wasn’t Diane Chambers (well, maybe just a little) but the chemistry between us was undeniable and made up for the lack of compatibility. For almost two years, we denied what was so obvious to everyone else. He loved that I loved music and that I could give as good as I got. I remember he was very impressed when I sneaked some of his favorite tunes on to the bar’s jukebox, a contraption that could be described as “country thunder.” When the bar-owner wasn’t paying attention, I added Neil Young’s “Ohio,” and The Rolling Stones “Sympathy for the Devil,” Bob Seger’s “Night Moves,” Tom Petty’s “Don’t Come Around Here No More,” the Buffalo Springfield’s “For What It’s Worth,” LA Woman by The Doors and, well, anything by The Moody Blues. Admittedly, I was a bit thrown when Ken told me one of his favorite songs was “All in the Game” by Tommy Edwards. Now, it was easy for me to hijack the jukebox, because I had the flat-out awesome job of going with the other bartender to a wonderful warehouse, somewhere in Phoenix, that was loaded with row after row of 45-inch singles. It was my job – a job – every other week, to replace some of the records in the jukebox, to keep it somewhat “current.” To stay on the owner’s good side, I’d throw in some Hank Williams, and I never interfered with Patsy Cline’s “Crazy” – nobody in her right mind would get rid of “Crazy” – but every new record I added was for Ken. And he knew it. Bob Seger’s “Sunspot Baby” would start up, he’d wink at me and then complain to the owner about how the new Irish waitress was ruining the jukebox.
The banter and badinage flew like electrical sparks between us, and we made those around us laugh and wink knowingly. We were the entertainment, and everybody knew we belonged together. Even before we did. I imagine had Dr. Frasier Crane been a regular, he would have had this to say about our performance:
“I know, I know. Now you’re going to deny it. Even though it’s ludicrously obvious to everyone around you, you two will go on pretending it’s not true because you’re EMOTIONAL INFANTS. You’re in a living HELL. You love each other, and you hate each other, and you hate yourselves for loving each other. Well, my dear friends, I want no part of it. It’s time I just picked up where I left off. It’s time to put Humpty Dumpty back together again. So I’ll get out of here so you can just get on with your denial fest.”
And then one day, Ken folded. I always loved that he broke first. It was January 13, 1990, which thereafter we considered our official anniversary. I ran outside to give him his change. After all, $11.50 for one beer was a bit much, even by my standards. When he had me outside and alone, he looked right at me, told me he was crazy about me, that he always knew I had been out there, and that he had almost given up waiting for me. Quite a pick-up line, but it worked. Then he asked me to plant a kiss on his lips, and I reverted to being coy and strategic. But that didn’t last.
Within a matter of months – one month – we had moved in together. He brought nothing from his previous life, just a lot of love for me, and I dragged the collected Shakespeare, my Seamus Heaney poetry books, my collection of Life and Rolling Stone magazines, and a whole lot of crazy love for him. Crazy love – like the kind Van Morrison sings about, especially with Ray Charles:
Yes it makes me feel righteous, makes me feel whole
Makes me feel mellow down into my soul
While I never convinced him that Van Morrison was, in fact, God, I managed to turn Ken on to tennis, and we watched Wimbledon and the US Open on a tiny black and white TV-radio-alarm clock combo in a tiny apartment that amounted to a shack in the back of an old ranch house in central Phoenix. Then one day when we were watching TV, I said, “Let’s go get married.” He said, “OK,” and put his boots on.
I remembering digging out a big fat phone book – the yellow pages – and found a wedding chapel in an old neighborhood in west Phoenix. The preacher there reminded me of a lovely blue-eyed old man in Field of Dreams, earnest and patient, as he told Kevin Costner’s, Ray Kinsella about Moonlight Graham and all the blue hats he never got around to giving his wife, Alicia.
We asked a stranger to officially witness the ceremony, and we vowed to each other that we would stay together in sickness and health, till death us do part. Health is easy, but sickness is a bitch. Madly in love, we had no reason to suspect that breast cancer (mine) or aneurysms (his) would move in and turn things upside down more than once and make us resent our own bodies. Thus, we filled up that ordinary November morning with a time-honored succession of extraordinary promises. We couldn’t stop smiling. We didn’t even tell anyone. Young and wild, it was as though we had eloped to Gretna Green. I think we probably even went to work afterwards. Along with all the other rituals we performed every day, the getting married was just something we could have done any day, at any time. No fanfare. No hoopla. Completely ours. Private.
We loved being answerable to only one another, doing whatever we wanted to without having to worry too much about other people. I remember one night when I was homesick for the smell of the sea. I just wanted to stare out at the ocean which seemed another world away from the desert southwest. It was a Friday afternoon, and we had nothing else to do. Still years before Sophie was born, we got in the car and started driving. No map. No GPS. No specific destination. Just ocean. That night, we were in Los Angeles, and I was inhaling the sea air. The next evening, we were in Pismo Beach, strolling along the pier. As if to put America’s vastness to the test, I asked him to keep driving. Eventually, we stopped by a lighthouse where we balanced the camera on the car, set the self-timer, and took a picture of ourselves, windswept and clinging to each other, completely unaware that a decade later, we would stand again on that very same spot on the road to Monterey, smiling for a picture that would be taken by our little girl. Then, for a decade, San Luis Obispo County – Morro Bay – became our family’s vacation spot.
We created hundreds of lovely little rituals and routines over the years. My mother always said I could set my watch by Ken. True. I always knew where he was, what he was doing, how much he loved me, how proud he was of things I had done professionally. He was my greatest cheerleader and the person who once told the young me who used to get her feelings hurt easily and who cared too much about what other people thought, that she needed to grow some hard bark, because she would need it. Well, Ken, I need it now. I know you didn’t want me to harden; you wanted me to be tough. But, it is just so hard to be tough enough to fully absorb the blow of your death, to look up and expect you to walk in with another cup of coffee for me and ask what I’m blogging about and then wonder aloud – with a wry smile – if the woman I once was would be coming back any time soon. Each of us wrestled with the truth that cancer changed me, as a brush with mortality would. It wasn’t bad or good. It just was.
It was not a perfect marriage, but it was an honest marriage. We argued about little things but never about the big stuff. One of our first arguments was over what it was he was thinking about. We never argued about that again. It went something like this:
What’s wrong?
Nothing.
Are you sure?
Yup.
So what are you thinking about?
Nothing.
Well, it must be something. I can tell. Are you mad at me? Is it about me? (I mean, isn’t it always about me?) Well, can you at least tell me what it begins with?
No baby. Just private thoughts. Private thoughts, my honey.
Private thoughts. Well, you can imagine how well that went over with someone who has to know the inner details, the finer points, the “how are you really feeling” details about everything. But he never told me. And the strangest thing happened. I realized over the years that we all have private thoughts, secrets never to be told, things that stay deep within us – not bad, necessarily, just private thoughts. Most people just wouldn’t say that out loud. But Ken did.
Looking back on it, he said it the same way he once told the cashier at a Pep Boys, after he’d paid in cash for new windshield wipers, that she couldn’t have his address. Not that he was a conspiracy theorist; he just hated his name and address being placed on some list only for it to be sold to someone who would profit from it. Annoyed because he was just not cooperating the way most customers did, the young cashier’s jaw dropped when Ken looked at her, deadpan, and with a twinkle in his eye, said quietly, “I just can’t do it. I can’t tell you where I live. The cops are after me.” And I had to walk out of the store because I was laughing so hard.
Then I learned to cook. It was before Food TV Network, and I relied almost entirely on an eclectic group of chefs on PBS so there was lots of Cajun cooking going on in the early years. Our first Thanksgiving Dinner together was a foreign affair as far as I was concerned. Never mind the Food TV Network, this was before the Internet and Google, so I had to go out and buy a holiday cookbook from Williams and Sonoma to learn exactly what went into a Thanksgiving Dinner and what this quintessential American tradition was all about. I’m sure like most Northern Irish folk, I would have the natural tendency to ask, with just a touch of martyrdom “Sure what would we have to be thankful for?” And then there would be some hand-wringing and worst-case scenarios about what happened to your man whose wife took up with somebody else, or the state of unemployment or Maggie Thatcher and terrorists, or The Troubles in general, and the brain-drain with all our young people like me leaving for America, Australia, New Zealand – following the sun.
A quick study, I was soon fixing turkey and all the trimmings like a pro. I even made pumpkin pie and candied yams (nothing from a can), and amber colored side-dishes and butternut squash soup, fare that would never have shown up at a fork supper or tea after a Harvest Home service at a country church in Northern Ireland. As if there wasn’t enough food to feed a small country, I was compelled to assert my Irish-ness with Brussel sprouts which Ken hated and roast potatoes and, for good measure, a Pavlova or a sherry trifle for desert – I could only make sense of Thanksgiving Dinner if I considered it an early Christmas Dinner. As if I’m not confused enough about my cultural identity. And to make it truly my Thanksgiving, we would listen to the entire Last Waltz soundtrack.
For tomorrow, I have ordered a turkey breast dinner. Just the breast, because that means there will be nothing to carve and no carcass for soup. Ken always carved the turkey, and he loved my turkey-noodle soup. Oh, how could I possibly brine and roast a turkey without Ken here to do the basting and the carving and telling me not to put apples or anything sweet in the stuffing? I always put apples in the stuffing. Why not? And when he wasn’t looking, I basted the turkey with maple syrup. I always add marmalade to the yams too and slices of clementines or even the syrup from cans of mandarin oranges. If it’s not sweet, what’s the point?
My parents are here, and already I am dreading the day they tell me it’s time for them to go back home to Castledawson and for me to resume living again. I hope they will stay for Christmas. My lovely irreverent friend in Tempe who hails from Ballynahinch and who knows about grief (as she will tell you herself, she is hands-down the winner in “The Sad Contest”) is going to bring a Pavlova and maybe even some currant squares and custard. And my mother will put the kettle on for us and make tea with Barry’s teabags and bring out a plate of Hobnob biscuits. I will complain if she puts too much milk in it, because I like a good County Derry cup of tea the way my Granda did, so strong “you could dance on it.’ Our meal tomorrow might feel a bit like a Northern Ireland Christmas dinner from days gone by. I just hope I remember to eat.
We have lots of food in the fridge – baskets of sympathy from near and far from heartsome people who ache for us. I don’t know what to say to them, other than thank you. And, my gratitude is heart-felt and genuine. But if I’m honest, I hate that it is these strange new gestures I am thankful for this year. It would be so much easier to give thanks that the turkey’s not dry.
Oh, Ken. Why did you have to die? There was something I wanted to tell you. It was important.
It doesn’t matter. By now, I have to believe you have run into Lou Reed, that the two of you have scored some really good weed from J.J. Cale, and you are feeling no pain. And maybe Seamus Heaney will raise a glass to you.
The local grave-digger, P.J. Rea, honored to tend to this particular task and moved by the number of people visiting to pay their respects, considers the unasked question:
In November 2013, a few days before he died, I visited the 
