“The first grip I ever got on things
Was when I learnt the art of pedaling
(By hand) a bike turned upside down, and drove
its back wheel preternaturally fast.”
Much missed, he has missed so many milestones, the stuff of Hallmark greeting cards and scrapbooks and social media updates. He missed her graduations and her first real job and the first time she pored over a ballot and voted in a Presidential election for the candidate that might deliver the kind of America we had hoped for her when she was an infant. He missed meeting her boyfriend – with hair as long as his used to be and a student of archeology – the thing he said he would study in his next life. He missed hearing all about her Senior trip to the Galapagos Islands – the only destination on a bucket-list of places he would have loved to see before he died. He also missed the first time she got behind the wheel of a car, his car. And she missed him.
It was on the first Christmas Day without him, that my daughter took me for a drive. My father, far from his home in rural Northern Ireland, had been teaching her to drive on what he still considers the wrong side of the road. He spent every afternoon in the passenger seat as his only granddaughter drove her dad’s car around the quiet streets of our Phoenix neighborhood, her elegant hands at ten-to-two on the steering wheel, encouraging her to “go easy,” to just believe in herself in a way I don’t recall from my driving lessons with him on the Dublin Road in the late 1970s. I watched from our door as she proceeded west on Montebello Avenue, maintaining a slow and steady 25 mph, taking me from adolescence remembered into motherhood and widowhood. Unaware and seemingly unafraid behind the wheel, my girl was stoic, the whole scene reminding me then and still of Seamus Heaney’s symbolic passing of a kite from father to sons in “A Poem for Michael and Christopher”
Before the kite plunges down into the wood
and this line goes useless
take in your two hands, boys, and feel
the strumming, rooted, long-tailed pull of grief.
You were born fit for it.
Stand in here in front of me
and take the strain
~ Take the strain. You are fit for it.
We are fit for it.
During a visit to Phoenix this past winter, she drove me to the drugstore. Watching as she signaled and turned right onto the highway, I was reminded of a milestone morning in our favorite park – the one where she and her dad regularly fed two bad-tempered geese they had christened “Fight and Bite, ” the one where her father removed the training wheels from the pink bicycle she got for Christmas – and let her go for the first time. It was one of the many lessons in love that have stayed with her.
Life is about trust and balance. Riding a bike requires both, without either you can’t ride.
~ Nikki Giovanni
Cute and cozy in her new aran sweater, she opts for a grin for the camera, having lost both front teeth just in time for Christmas. Santa did well, having delivered a pink bicycle exactly as described in her letter to him. For good measure, he even added sparkling streamers. Before I am taken to task about reinforcing gender stereotypes, pink was her favorite color that year. She had whispered to the mall Santa that if it wasn’t too much trouble he could maybe bring “rosy pink wind chimes to make me feel happy like the sunset’s glow.“By the following Christmas, she had moved on. She wanted only a new bike to ride with daddy – the color was irrelevant.
The pink bike had training wheels – “stabilizers” as we called them when I was a child in Northern Ireland. Stabilizers – my first big word. Even now, I like saying it and conjuring all it connotes – stability, steadfastness, balance, a firm hold. Had I read MIT engineering professor David Gordon Wilson’s Bicycling Science, I may not have been so adamant about getting a bike with stabilizers for my daughter. Professor Wilson dismisses them, pointing out what is now obvious – that they do not teach you how to balance; they teach you how to pedal. Bicycling is the quintessential balancing act and it makes more sense to follow Wilson’s advice to “adjust the bicycle’s seat low enough for children to plant their feet on the ground and practice by coasting down the grassy slopes.” No wonder we are so afraid when we push off that first time without training wheels – immediately, we have to learn how to balance, just as we are expected to swim if we are thrown in the deep end.
But if we get rid of the training wheels, we also say goodbye to a rite of passage one that was – in our family’s story – A Big Moment. The morning began with an Irish breakfast – sausages, butter, and bacon purchased from Pat McCrossan at an Irish gift shop in Phoenix. A Derry native, he winked at Sophie and made a joke about how he had gone out of his way to give me the Protestant discount. Next on our agenda was the removal of the training wheels. Waiting as her dad fumbled with the wrench that would remove forever the useless stabilizers, our girl was confident that those training wheels had prepared her to ride a bike. We knew better and therefore had brought band-aids along with a video camera to record the moment. You know the one. Her daddy would run alongside the bike, holding onto the seat, and then let go as she rode into the afternoon sunshine . . .
Naturally, she lost her balance, and she fell. But only once and with only a few tears. Still, our darling girl kept both nerve and balance when she climbed on again. And then she was riding a bike! Round and round the park, sunbeams dancing on silver spokes, blue and white streamers flashing from the handlebars, ducks and geese scrambling to get out of her path, and she, buoyant in what Heaney calls the “new momentum,” equipped for bicycle riding, for inevitable tumbles and the promise of a blue skies ahead. Just like her mother.
And what is a bicycle? It is trust and balance, and that’s what love is. Love is trust and balance.
Often I watched her lift it from where its compact wedge rode the back of the stove like a tug at achor.
To test its heat by ear she spat in its iron face or held it up next her cheek to divine the stored danger.
Soft thumps on the ironing board. Her dimpled angled elbow and intent stoop as she aimed the smoothing iron
like a plane into linen like the resentment of women To work, her dumb lunge says, is to move a certain mass
through a certain distance, is to pull your weight and feel exact and equal to it. Feel dragged upon. And buoyant.
It is Mother’s Day in Ireland. I am hoping the flowers arrived and that the florist remembered to write on the card, “I’ll see you next weekend.” Next weekend. It’s been a long three years, the pandemic and its attendant restrictions keeping us apart. As my brother – only 250 odd miles away from her – reminded me, “this thing has made a mockery of distance. I’m only a few hours drive away but I might as well be on the moon.”
The water is wide, but it takes only a second to transport me to the South Derry village where she lives with my dad. In the movie that’s playing in my head, she is no longer just inches away from me on the screen of my phone struggling to remember a password. She is young again, her hair red and short. She is standing at the ironing board, smoothing out with hot steam the wrinkles in pillowcases, telling me a story I have heard before. When she returns the steaming iron to its stand, she’ll pause to deliver some bit of home-spun wisdom I’ll carry with me always, the kind of thing that only Irish mammies say: What’s for you won’t pass you by.
Meanwhile, my father is fixing something. There was always a home renovation project – always – and as the work continues in the Mexican house I now call home, I wish my dad were here – to do it right. It’s an older house, the kind that needs more care and cleaning and patience than I anticipated. I suppose home renovation is a bit like childbirth – you forget the pain – which might explain why people do it more than once – people like my parents. And, I suppose, people like me.
Before YouTube videos and apps for that, daddy taught himself how to make things – and how to fix them. Ma was always close by, ready to hand him whatever tool he needed – and to clean up after him. I remember one particular spate of home improvement when he single-handedly gutted the ground floor of my childhood home to create a new kitchen and dining room. Then he added a laundry room, doing all the wiring and plumbing himself. He added a glasshouse in which he grew tomatoes and other plants not native to Northern Ireland – the slips of which my mother probably ‘collected’ from plants and trees in places they visited. Exotic and far from home, they were right at home with him. He painstakingly decorated the outside of the glasshouse with dozens of scallop shells that he and my mother collected from a beach in County Donegal.
I’ve said it before, and I mean it. Daddy belongs in a Seamus Heaney poem – he has the “Midas touch” of the poet’s thatcherand the grasp of the diviner. Frugal and a fixer, his is the artisanal handiwork that imbues the Derry townlands he crossed on his motorbike as a young man in the early 1960s. Ever the pragmatist, he reminds me that this began as a matter of economic necessity – the potato-digging, the turf-cutting and roof-thatching, his craft and carpentry all shaped by and shaping the place that produced him. His first project was a guitar for my uncle – his parents lacking the means to buy an instrument for the boy who loved to sing, my father – at 10 – figured out how to make it.
A man who can make things and find magic in the making of them, he is always doing the mental arithmetic, sizing up the situation, and cutting no corners. If you’re going to do it, do it right. He used to obsess over such things with a sense of urgency that I now understand. The truth – I think – is that we want to fix the unfixable, to live forever so our children will never experience the pain of loss. We want to stop time, close distance, and find the right words right when we need them. Sometimes we are no match for the things that cannot be fixed.
My mother knows this, having lost too much sleep since that November evening over a decade ago when the phone rang too late to bring anything good. I imagine her telling my dad to turn down “The Late Late,” on the telly, so she can hear me deliver the blow. “What? What’s this? What’s this anyway?” crying into the phone, “My wee girl has cancer! My wee girl has cancer!” And again, another November night and in her Castledawson kitchen, undone once more, unable to fix my broken heart when the man who loved me died so far away from us.
Just when she thought she no longer needed to watch over me, she is right back to where she started in 1963, hoping for only the very best for her wee girl – hoping I will stay safe and healthy, that I will wash my hands and wear my mask and if I need another booster shot, to get it.
There is a clothesline in my garden, and when I brush past it, I know I am home. One day last Spring, armed with what seemed an acceptable translation on my phone – “pinzas para ropa” – I drove over the kind of cobbled streets that would not be out of place in Connemara, to a little shop in the village. “Si amiga,” and she handed me a bag of pastel colored plastic clothes pegs. Victorious, I returned to my sunny kitchen and while the workers took their siesta, the cumbia no longer at full blast, I did a load of whites and turned my back on the dryer, because – and every Irish person will understand this – “there’s great drying out there.”
Standing back to watch my blouses flutter in the warm breeze, my mother is with me. She is rescuing a great armful of sheets and towels and daddy’s shirts from the clothes-line before the rain begins to fall. Soon there will be the folding, a precise ritual, and my father her partner in a dance handed down from one generation to the next.
My daughter learned those same moves not by the ironing board in my mother’s kitchen on the Dublin Road, but on the sandy edges of California before the fog rolled in late on an August afternoon. Facing me, a blanket stretched between us, she steps forward, intent on matching her corners to mine, my edge to hers. In the middle we meet, and there we pause to make the final fold.
Unbeknownst to us, her father took photographs, and he wrote our names in the sand and waited for the tide to wash them away. Forever.
“The cool that came off the sheets just off the line Made me think the damp must still be in them But when I took my corners of the linen And pulled against her, first straight down the hem And then diagonally, then flapped and shook The fabric like a sail in a cross-wind, They made a dried-out undulating thwack. So we’d stretch and fold and end up hand to hand For a split second as if nothing had happened For nothing had that had not always happened Beforehand, day by day, just touch and go, Coming close again by holding back In moves where I was x and she was o Inscribed in sheets she’d sewn from ripped-out flour sacks.“
I stayed at home with my daughter the year after she was born. It was the best year of my life, with Sophie attached to me in one of those baby carriers without which I would have been unprepared for motherhood. That’s what the salesperson in Babies R Us said.
Some days I made it out of my pajamas, but only if I felt like walking out to the mailbox. I was usually bare-faced unlike Dolly Parton, who is always in full-make up, “ambulance, tornado, and earthquake ready” – and who is always – always – ready with the right words at the right time.
Some days, I showered. Most days, I resembled the child I once was, the one who had to be reminded more than once to wash her hands or brush her teeth because she was so absorbed in play; the child who made wishes on dandelions and chains out of buttercups and daisies. I loved playing with my very own and very real baby girl, feeding her, dressing her in miniature clothes with impossibly tiny buttons, brushing what little hair she had with the softest toothbrush, and bathing her in the kitchen sink. For twelve idyllic months, with her dad off at work, she was all mine. Drunk on new baby smell, I danced in the afternoons around a house filled with sunshine and Van Morrison’s “Bright Side of the Road.” Over 25 years later, I can still smell it.
In those first months of her life, I spent interminable hours looking at her. Just. Looking. At. Her. I examined every tiny feature and flicker across her face, searching for resemblances to me, her father, her grandparents. I often paused to ponder how it was that two imperfect people had made perfection. She would stared back, cooing like a little bird, babbling and gurgling before discovering the beautiful hands that fly with expression today. We called it hand ballet.
Mostly, Sophie bounced with joy and curiosity. When she cried, it was for food or comfort or maybe just to let us know she was there. I couldn’t bear it. I hovered. I still do, albeit virtually and to her chagrin. I was one of those mothers who picked her up the minute she began to cry at night. My mother encouraged me to do this, reminding me there would be plenty of times as an adult when Sophiewould have to cry herself to sleep without me there to make it all better. My mother was right.
If only we could deposit all those hours of holding and comforting in some sort of emotional savings account, to be withdrawn years later in case of emergency – like the night I spent in the ICU following eight hours of surgery while my daughter wept in bed and rocked herself to sleep.
I hate cancer.
When it was time for me to return to work after that year at home with her, I was unprepared for the crying – hers and mine – that came immediately before and continuing some time after I placed her in the waiting arms of Bonnie, a cheery classroom assistant at a Montessori school where all the other mothers appeared not to have jobs outside the home. Every morning, they loitered in the parking lot in their shorts and Birkenstocks, drinking coffee from mugs filled at home. This was in that time before a Starbucks occupied every corner. While I was not dressed like Dolly Parton for a turn at the Ryman, I imagine I conveyed a vague impression of adulthood with Anne Klein suits bought on sale at Lohemanns and my hair on the verge of sensible. An assistant principal at the time, I was trying to impress on someone – most probably myself – that I was “A Professional Working Mother” who could do it all and have it all and “lean in” blah, blah, blah. I’ll tell you. I’ve had my fill of leaning in.
Sophie was unimpressed with this version of me and showed it by crying, daily, all over my dry-clean-only blouses. I made this a much bigger deal than it was, eventually discovering that if I didn’t put the blouses in the tumble dryer, they survived. Realizing there must be a lucrative pact between dry cleaners and the fashion industry, I took a lasting umbrage against the dryer, rarely feeding it anything other than towels and jeans.
For all the years I lived in sunny Arizona – where any Northern Ireland mother will tell you there’s “great drying” most every day – I never understood why I owned a dryer. Where I grew up, everybody hung the washing out on the line and then ran like hell to rescue it when the rain invariably began. The first thing I bought for my mother with my first real pay check was a tumble dryer from the Northern Ireland Electricity Board.
I remember I once asked my late husband about the logic of owning a dryer in Phoenix. He looked at me like I had two heads. He loved that machine so much that he used it to dry all clothes, regardless of fabric. His favorite setting was Permanent Press, and he used it for all my favorite clothes too. I’m not sure I know today what this setting means. It doesn’t press anything permanently, but it has done a bang-up job of reducing some of my skirts and shirts to napkin-sized deformities. To be fair, when I was pretending to be a grown-up with a real job that required more than pajamas, he didn’t do my laundry. I did. All my clothes were safe. I was too.
My safe clothes and my sensible job held no clout with Bonnie. Mortified and avoiding eye-contact with her, I handed her my wailing, flailing girl, and Bonnie attempted to placate me with repeated reassurances that Sophie would be fine as soon as I left. If only I would just leave . . . Although she had to say it at least three times, Bonnie showed restraint and never once rolled her eyes as I stood there wild-eyed and fretting about the impending separation. I wrestled with the reality that Bonnie had other children to attend to. She would not be spending hours like Madonna – mother of Jesus, not Lourdes – at my perfect child or cheering with delight and recording on film and in writing when Sophie did something for the first time. Anything.
I would miss the first time Sophie watered a plant in the school garden or threw a rock or blew bubbles or cracked a nut in the classroom nutcracker. Not your typical developmental milestones, but Bonnie’s boss deemed them important. I would miss telling my husband, my parents, my friends – just falling short of alerting the media – that she had experienced another genuis-level achievement like that time she spoke her first word – daddy – or when she clapped her hands for the first time, or let go of our hands and stood straight like a little warrior to an ovation, “Sophie’s standing! Sophie’s standing!”
If I’m honest – all these years later – I could have and maybe I should have stayed at home for another year. And another.
I was jealous that it would be the magnanimous Bonnie, with some magic trick up her sleeve, who would charm Sophie’s tears away. Every day, I walked away from the little girl writhing in the arms of “the other woman,” pretending to leave but I stayed in the car with the air-conditioning on and the window down, prolonging the agony, listening to Sophie cry. When the wails gave way to worn-out sobs and a final shuddering stop, I reapplied my makeup until my face matched the boring business suit and no glimmer of guilt-stricken working mother remained. Off I went – to work for other people’s children.
Around this time, I discovered a book by Kathi Appelt who understood the rhythm of these daily separations – and reunions – and experienced it again when her son was 12 and going off to summer camp. Bracing herself for how she would feel as he prepared to go off to college—and inspired by Emmylou Harris’s Sweet Sorrow in the Wind—she wrote “Oh My Baby Little One.”
I found it on a discard table in a Borders when central Phoenix still had a real bookstore where I could also get The Irish Sunday Times albeit on a Wednesday.
Every bedtime, I read to Sophie the story of lovely Mama Bird who reassured Baby Bird that every day when she was off at work, her love would still be with him. Magically—and in the shape of a little red heart— it would slip inside his lunch box or sit on his shoulder during playtime or nestle on his pillow at nap-time. At the same time, it would curl around Mama Bird’s coffee cup as she went about her daily business.
And every night, before closing the book and kissing her goodnight, I would ask Sophie, “Where’s the love?” and she would whisper as though it were our secret:
All around, mama. The love is all around.
It eased the morning goodbyes when I left her with Bonnie and all the other teachers throughout the years. There were lots of them. I was never satisfied with her teachers because they never seemed to understand that I was Sophie’s first teacher, that I knew her best. By the time she was in 2nd grade, Sophie had become a tourist in Arizona’s public education system, hopping from school to school, becoming ever more resilient, while I kept searching for that one teacher who would change her life as Mr. Jones had changed mine. We never stopped looking. I’m not sure the superhero teacher ever showed up, and Sophie’s formal education is now over with her post-graduate program completed.
One summer morning, I watched from my car as she strode onto a community college campus to study art with students who were ancient – at least in their twenties. As tall as me but braver, I knew she knew I was watching and waiting for her to turn around and wave. She did. She never lets me down.
So blow a kiss and wave good-bye – my baby, don’t you cry. This love is always with you. Like the sun is in the sky.
Sometimes, in an unguarded moment – me in Mexico, Sophie in Arizona – between emails and Zoom meetings, home improvement projects and grocery store runs, things that matter and things that don’t, we’ll each wonder what the other is doing and pick up the phone.
She’s only a phone call away, a couple of hours on a plane, and although I miss her terribly, I can’t help but smile as I recall her as a three-year-old, fighting sleep with all her might and poring over Jane Dyer’s watercolor illustrations, searching for the tiny red heart leverly hidden on each page.
Those drawings inspired a growing collection of hearts found in unexpected places over the years. Scatted around my home – and hers – are little reminders in stone and glass and fabric that the love actually is all around – something we have known long before Hugh Grant’s Prime Minister told us so in. If you’re looking for love, you can always find evidence of it at the airport, where those who stay and those who go are often telling the only truths that matter:
Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion’s starting to make out that we live in a world of hatred and greed, but I don’t see that. It seems to me that love is everywhere. Often, it’s not particularly dignified or newsworthy, but it’s always there – fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people on board were messages of hate or revenge – they were all messages of love. If you look for it, I’ve got a sneaky feeling you’ll find that love actually is all around.
In the Mexican village I call home, the weather is perfect for a clothesline strung across the backyard. Reminiscent of the rhythms of rural County Derry, it is a place peopled with the kind of characters that fill Seamus Heaney’s poems – men like my father, makers of things.
The other day, the stonemason working on the wall around our house, asked me about the corazón shaped stone in the pile of rocks on our street. Would I like to use it on the new wall?
It’s one of my favorite pictures – her T-shirt reminding me the way she always does, “good things will come.” It is my darling girl’s birthday, and with COVID keeping us in our respective places once again this year, we’ll have to make do with text messages and embarrassing photos on Facebook instead of a celebration here in Mexico. I’m going to wake up missing her and remembering that it’s really hard to remember life before her.
Suddenly, one day, there was this thing called parenting. Parenting was serious. Parenting was fierce. Parenting was solemn. Parenting was a participle, like going and doing and crusading and worrying; it was active, it was energetic, it was unrelenting. Parenting meant playing Mozart CDs while you were pregnant, doing without the epidural, and breast-feeding your child until it was old enough to unbutton your blouse.
I stayed home with Sophie for a year after she was born. It was, and I’m pretty sure it will always be – The Best Year of My Life with her attached to me in one of those Baby Bjorn carriers without which I would have been completely unprepared for the kind of “parenting” Nora Ephron warned us about, as one of those hovering salespeople in Babies R Us had warned me.
Just the way I like it, business was slow that first year. Some days I made it out of my pajamas – only some and only if I felt like walking out to the mailbox – unlike Dolly Parton who checks the mail in full makeup and heels and while we’re on the subject absolutely should be Time’s Person of the Year 2021 Other days, I also showered, but mostly I was mostly like the imaginative little girl I had once been, the one who had to be reminded to wash her hands or brush her teeth because she was so absorbed in play and a world of pretending. I loved playing with my very own baby girl, feeding her, dressing her in miniature clothes with impossibly tiny buttons, brushing what little hair she had with a soft toothbrush, and bathing her in the kitchen sink. For twelve idyllic months, with her daddy off at work, our girl was all mine, I danced around a house filled with sunshine and Van Morrison – when I still liked him before he weighed in on COVID with bad songs railing against masks, social distancing, and, well, science. Spectacularly high on new baby smell, I inhaled, and I remember thinking about sixteen years later, that a bottle of that very fragrance would go a long way, if only to mask the Teen Spirit.
There were interminable hours spent simply looking at her. Just. Looking. At. Her. Examining every tiny feature and flicker across her face, searching for resemblances to me, her father, her grandparents, and wondering how it was that two imperfect people had made this one perfect thing. She didn’t mind the attention. Or she did, but this was before she had words or discovered those beautiful hands that fly with expression today. We used to call it hand ballet.
Mostly, she bounced with curiosity and glee. When she cried, it was for food or comfort or just to let us know she was there. I couldn’t bear it. I hovered constantly and still do albeit from another country and much to her chagrin. I was one of those mothers who picked her up the instant she began to cry at night. On long-distance telephone calls, my mother urged me to do so by reminding me the way only an Irish mammy can, to mark her words that the day would come when my daughter would have to cry herself to sleep without me there to make it all better.
Wouldn’t it be great if we mothers could bank all those hours of holding and comforting for such a day, like the day I spent in the ICU following over 8 hours surgery while my fourteen-year-old girl wept in bed and rocked herself to sleep? This is why I hate cancer.
When the time came for me to go back to work and take Sophie to pre-school, I was wholly unprepared for the crying – especially mine – that preceded and continued for some time after the moment I deposited her in the waiting arms of Bonnie, a cheery classroom assistant at the Montessori school where it seemed that all the other mothers didn’t have jobs outside the home. They loitered in the parking lot in khaki shorts from the Gap and Birkenstock sandals, gossiping over coffee in mugs filled at home – this was in the days before there was a Starbucks on every corner. While I was not dressed like Dolly Parton for a turn at the Ryman, I like to believe I conveyed a vague impression of adulthood with my Anne Klein suits bought on sale at Lohemanns and my hair on the verge of sensible. But only on the verge – where I remain. I had returned to a career in public education, trying to impress on someone – myself – that I was “A Professional Working Mother.”
Sophie was unimpressed by all of this and showed it by crying, daily, all over my dry-clean-only blouses. In retrospect, I made this a much bigger deal than it needed to be, realizing eventually that there must be some sort of lucrative pact between dry cleaners and the fashion industry. By accident, I discovered that if I didn’t put things in the tumble dryer, the dry-clean-only-blouses turned out just fine. Therefore, I took umbrage against the dryer, and to this day rarely feed it anything other than towels and jeans and my boyfriend’s T-shirts.
I never really understood the concept of a dryer for people who live in sunny places. The clothes will dry if we just hang them on a clothesline, but nobody in our Phoenix neighborhood had a clothes line in the backyard. We didn’t. And, this is odd. Not just because the sun shines 300 days a year there, but also because I’m from Northern Ireland, where “doing a load of washing” is in my DNA, where everybody hangs clothes out on the line and then runs like hell to rescue them when the rain invariably falls. I remember the first thing I bought for my mother with my first real pay check from not-really-a-job as a receptionist at a local “leisure” center, was a tumble dryer from the Electricity Board.
Airing all this laundry has nothing to do with where the love is, actually, but the question remains – is it not illogical to own a tumble dryer in places like Phoenix? I once asked my late husband about it, and he just looked at me like I had two heads. He wasn’t very good at it – the drying of things. He either didn’t read them or had an aversion to directions like “tumble dry low,” “remove quickly from dryer,” “dry flat,” or “dry clean only.” His favorite setting was “Permanent Press,” but I don’t think he ever knew what that meant. Also, he was a man, the kind who never read manuals or labels or asked for directions. Never. To be scrupulously honest, I don’t know what “permanent press” means either except it has something to do with often reducing some of my favorite skirts and shirts to napkin-sized deformities. But back when I was pretending to be a grown-up – for a whole year at home with Sophie – he didn’t do the laundry. I did. All the clothes were safe. And so was I. This is not to suggest that I’m dangerous now, but, as earlier noted, I am on the verge.
In spite of my safe clothes and my sensible job, Bonnie was nonplussed. Mortified and avoiding eye-contact with her, I handed over my wailing, flailing girl, and she would try to placate me with reassurances that Sophie would be just fine as soon as I was out of sight. If only I would just leave . . . Although she had to say it three times, she showed restraint and never once rolled her eyes as I stood there wild-eyed and fretting about the impending separation from my daughter. I know – of course I know – that it was irrational to expect that Bonnie would spend hours staring – as Madonna (mother of Jesus, not of Lourdes) – at my beautiful girl and cheering with delight and subsequently documenting on film and in writing when she did something for the first time. Anything. I was mad and sad that I would miss the first time Sophie watered a plant in the school garden or cracked a nut – this was a big deal in the Montessori classroom – or completed a puzzle. I would miss telling her father, my parents, my friends – just falling short of alerting the media – about any time she experienced another developmental milestone like that time she had spoken her first word – daddy – or clapped her hands for the first time – for daddy – or let go of my hand and stood straight like a little warrior to my ovation – and for daddy, “Sophie’s standing! Sophie’s standing!”
I was jealous that it would be the magnanimous Bonnie – not me – who had the magic trick to distract my inconsolable daughter and make the damn crying stop. Walking away from my little girl writhing in the arms of “the other woman,” cleaved me in two. I’d pretend to leave, but instead I sat in the car with the air-conditioning on because it was hot (because it was Phoenix) and also with the window down so I could continue to listen to the unmistakable sound of my child’s crying. I would wait until the wails gave way to worn-out sobs and when she finally stopped, I would reapply my makeup until my face matched the boring business suit and not even a glimmer of guilt-stricken working mother remained. Meanwhile, all the other mother’s children were crying. It always amazed me that out of that early morning cacophony, each of us could pluck out the unique sound of our children’s specific anxiety. Mothers know the cries of their babies.
Around this time, I discovered a book by Kathi Appelt. Like me, Appelt knew the anguish of leaving a child. She experienced it again when her son was 12 and going off to summer camp. Bracing herself for how she would feel as he prepared to go off to college and inspired by the lovely Sweet Sorrow in the Wind sung by Emmylou Harris, she wrote “Oh My Baby Little One.”
I found it on the discard table in a Borders when we still had a real bookstore where I could also get The Irish Sunday Times – on a Wednesday.
Every night, I read to Sophie the story of Mama Bird who reassured Baby Bird that every day when she was off at work, her love would still be with him. Magically, it would slip inside his lunch box or sit on his shoulder during playtime or nestle on his pillow at nap-time. At the same time, it would curl around Mama Bird’s coffee cup as she went about her daily business.
And every night, before closing the book and kissing her goodnight, I would ask Sophie, “Where’s the love?” and she would whisper as though it were a secret:
All around, mama. The love is all around.
How it eased those morning goodbyes with Bonnie and numerous other teachers throughout the years. And there were lots of them. Never satisfied with her teachers because they never seemed to understand that I was her first teacher and that I knew her best, we kept switching schools. By the time she was in 2nd grade, my daughter had become a veritable tourist in the public education system, hopping from school to school, becoming ever more resilient, while I kept searching for that one teacher who would change her life as Mr. Jones had changed mine. That one teacher never showed up.
I remember watching from my car as she strode onto the community college campus one summer to study art with students who were ancient – at least in their twenties. She was as tall as me but infinitely more brave. I knew she knew I was watching and waiting for her to turn around and wave. And, she did. She never lets me down.
So blow a kiss and wave good-bye – my baby, don’t you cry.
This love is always with you, like the sun is in the sky.
Thus our days began, each of us released to our respective distractions and mundanities, finding therein both delight and difficulty, the way we all do. Sometimes, in an unguarded moment, between emails and Zoom meetings, things that matter and things that don’t, I’ll wonder what she’s doing, and I’ll find myself smiling as I recall her as a three-year-old, fighting sleep with all her might and poring over Jane Dyer’s watercolor illustrations, searching for the love – a tiny red heart – so cleverly hidden on each page.
And sometimes, I wish this book had been available to my own mother, given all the goodbyes and reunions we have shared at airports on either side of the Atlantic. I love that my baby girl knew that the love was all around long before Hugh Grant’s Prime Minister told us so in Love Actually. Before you pounce on me with all the reasons why it’s a terrible movie and I’m therefore un-evolved for loving it, I don’t care. I agree with the fictional PM – in the end, if you’re looking for love, you are sure to find evidence of it at the airport, where those who stay and those who go are often telling the only truths that matter:
Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion’s starting to make out that we live in a world of hatred and greed, but I don’t see that. It seems to me that love is everywhere. Often, it’s not particularly dignified or newsworthy, but it’s always there – fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people on board were messages of hate or revenge – they were all messages of love. If you look for it, I’ve got a sneaky feeling you’ll find that love actually is all around.
Happy Birthday, Sophie. It’s a privilege to be your mother.