Scrolling through social media earlier, I spotted an update that on this day 40 years ago, Bob Dylan played at Slane Castle in Ireland. I was there. I don’t remember all the details — it’s been 40 years — but I remember UB40 and Santana and Van Morrison played too and that Bono joined Dylan on “Blowing in the Wind” and improvised the lyrics. Seriously. Nostalgic and forgetting who went with me, I updated my Facebook status with this information adding that I still have my ticket stub which prompted a friend to comment “My god – you still have your ticket stub??? How much stuff did you move to Mexico with you??”

I’m not sure how to quantify the amount of stuff I brought with me, but I can tell you it includes all my favorite books, one of which is my stub book crammed with set-lists and concert tickets.

Book-wrapt

Having said that, my collection of books is smaller than ever, pared down when I knew I would be moving to Mexico over four years ago. I remember sitting on my living room floor in Phoenix, asking every single book, “Are you important enough to move to a new country with me?” with a follow-up question to myself, “How many books do I really need?” What is the magic number? I suppose I need enough to feel “book-wrapt,” a term coined by Reid Byers, author of The Private Library: Being a More Or Less Compendious Disquisition on the History of the Architecture and Furnishing of the Domestic Bookroom to describe the way a well-stocked personal library should make us feel:

“Entering our library should feel like easing into a hot tub, strolling into a magic store, emerging into the orchestra pit, or entering a chamber of curiosities, the club, the circus, our cabin on an outbound yacht, the house of an old friend … It is a setting forth, and it is a coming back to center.“

So how many?

Byers maintains that 500 books ensures that a room will “begin to feel like a library.” On the other hand, the library he kept at the end of his bunk on an aircraft carrier in Vietnam although “very highly valued, it probably didn’t have 30 books in it.” I’m not sure how my book collection measures up. I’m not even sure I would even call it a library, but it definitely feels like part of whatever home means. I love my books. I love how they look, and the stories behind how they came to be permanent fixtures in my life.

A minute or two spent scanning the contents of a bookshelf – mine or yours – can tell a lot about the owner’s personality, pastimes, and passions. The more interesting books have tell-tale signs of wear —dog-eared pages and marginalia – chunks of underlined text, doodles, scribbles, exclamation points, question marks, even profanities from a reader giving the author a piece of her mind. Some also might have Dewey Decimal numbers on the spine because they may belong to a library …

Marginalia matters. If not for marking up a book, we wouldn’t know that when Nelson Mandela was imprisoned in South Africa, some of the inmates circulated a Shakespeare book 1975 and 1978. Mandela wrote his name next to the passage from Julius Caesar that reads, ‘Cowards die many times before their deaths.’

To this day, I read with pen in hand. Making my marks in a book makes it mine. I can revisit those margins whenever I choose, go back to my side of a conversation with the author and pause to remember that earlier version of myself, younger, curious, and perhaps more naive. One day someone may land on something I highlighted in a book and wonder WTF I was thinking.

Books allow us to be solitary and sociable at the same time. As an introvert-extrovert (at least that what I think I am), this appeals to me.

Book Arranging

Loving books is one thing, but it wasn’t until I began packing them in boxes that I took an interest in the physical space they had occupied in my bookcase. Incongruously, a paperback copy of Thomas Hardy’s Return of the Native had, for sixteen years, leaned up against a second-hand copy of What to Expect when You’re Expecting passed along to me when I was expecting. Maybe I kept it, thinking I might expect another baby one day and wanted to remember what to expect. For almost a decade, a copy of The Good Friday Peace Agreement (signed for me one morning In Arizona by the late Irish Taoiseach John Bruton) was sandwiched unceremoniously between Bob Dylan’s Bringing it all Back Home vinyl record (carried with me from Belfast to New York in 1987), and a large illustrated Beowulf. Maybe the move to Mexico would bring some order.

Almost a century ago, Hugh Walpole would have agreed:

I believe it then to be quite simply true that books have their own very personal feeling about their place on the shelves. They like to be close to suitable companions, and I remember once on coming into my library that I was persistently disturbed by my Jane Eyre. Going up to it, wondering what was the matter with it, restless because of it, I only after a morning’s uneasiness discovered that it had been placed next to my Jane Austens, and anyone who remembers how sharply Charlotte criticized Jane will understand why this would never do.

Hugh Walpole, These Diversions: Reading, 1926

When it comes to arranging books on shelves, I need someone with a critical eye and zero tolerance for those books she knows I haven’t read. By ‘someone,’ I mean my mother, who brings a take-no-prisoners to this kind of task. If it hasn’t been worn in a year, or if she suspects that it’s hanging in my closet for “sentimental reasons,” (like she knit it for me or bought it for me in 1987), then it must be placed in the big black trash bag which will then go to a charitable organization or a consignment store. I have often thought about hiring a professional to organize my closet, but I’m afraid of the prospect of being one of “those people” on a reality program on The Learning Channel. I can see myself clearly, mortified in my own front yard by the contents of my closet spread out on the grass and then judged in the glare of a camera crew, by a TV audience and an energetic host as I ask each item if it gives me joy. The answer will determine if it is placed in a box labelled Keep, Toss or Donate.

Before my husband died, I had bought his favorite cologne and kept it in a drawer, unopened, for over 7 years. I never got to give it to him and I never figured out what to do with it. For all I know, the person who bought my house may have found it in the back of a drawer in the bathroom. Just one of those things.

For some reason this takes me to Field of Dreams. If you’ve seen the movie, you might remember Alicia as the wife of Burt Lancaster’s Doc “Moonlight” Graham. We find out about her in that beautiful scene in a bar in Chisholm, Minnesota, where James Earl Jones finds out from an old-timer that

… she moved to South Carolina after Doc passed. She passed a couple years later. She always wore blue. The shopkeepers in town would stock blue hats because they knew if Doc walked by, he’d buy one. When they cleaned out his office, they found boxes of blue hats that he never got around to give her. I’ll bet you didn’t know that …

Field of Dreams

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Cleaning up your Bookshelves

While the literati are not coming to party at my house, I can still relate to Bella, friend of Independent columnist, John Walsh, — “your collection of books can say terrible things about you.” Unlike Bella, however, I’m unlikely to be rubbing shoulders with celebrities in the publishing world any time soon, so I’m not sure why the absence – or inclusion – of certain books on my shelves matters. For instance, there’s a blue hardcover 1984. Not the one by George Orwell – rather, it is my diary from the same year, bringing to mind Willy Russell’s Rita, brilliantly played by Julie Waters, as she shouts from the train window to Michael Caine’s Professor Frank Bryant, a line from The Importance of Being Earnest, a play I was delighted to find for just two bucks, along with 20 other brilliant comedies in a first edition Cavalcade of Comedy at the 1996 VNSA booksale in Phoenix.

“I never travel without my diary. One should always have something sensational to read on the train”

I think it was the remake of The Great Gatsby that initially caused me to reassess the order of my books. I had re-read it during my Post-Mastectomy Period (PMP), so Daisy, Nick, and Gatsby calling people “old sport” and all those lavish parties were still fresh in my head when the new movie came out. Over Happy Hour one Friday, my best friend and I performed our post-mortem on the film which led to a discussion of Fitzgerald and Hemingway. I found myself admitting that I have never read anything by Ernest Hemingway. Never. I suppose to make me feel better, she told me she hated Charles Dickens. And then we both confessed that we hate Moby Dick. The floodgates opened. I detest Les Miserables, and I even fell asleep during a performance of the musical version. I know. It feels almost criminal to say out loud that the longest running musical of all time leaves me cold, and downright treasonous to also admit that I think James Joyce is over-celebrated.

I have never finished his Ulysees, nor am I sure I ever really started it at its start, given the many beginnings within its pages. Of Joyce’s “Dubliners” I only like “The Dead,” a superb short story. Were it not for Brodie’s Notes, which I imagine are equivalent to the American Cliffs Notes, I don’t imagine I could have answered  a single question about E.M. Forster’s Room with a View or Howards End. I don’t like Virginia Woolf either. I might even be a little afraid of her. I think the same might be true for George Eliot, who, until I was in college, I assumed was male. Then there’s Jane Austen. Emma wore me out, and I didn’t pick up Pride and Prejudice until my PMP (see above). Even then, in the lingering haze from three days of Dilaudid coursing through my system, I just couldn’t understand what was so great about Mr. Darcy.  And, I have remained oblivious to what has been coined The Darcy Effect. There must be something wrong with me.

Since I’m telling the truth about my books as they sit there looking at me, still waiting to be properly arranged, I wonder, guiltily, if any of the fifth graders I taught over thirty years ago remember that Spring morning when I announced the next class novel, Stephen Crane’s Red Badge of Courage. I passed out the books and then began reading aloud, because I was the best reader in the class and it’s important for kids to hear good reading. We soldiered through the first few pages, me reading with as much expression as I could muster, but we all knew the time wasn’t right. Remembering I was in charge, I quietly told them to close their books and put them back on the shelf for another day (which never came that year). From my bag, I pulled out my high school English textbook and read to them instead Liam O’Flaherty’s “The Sniper” hoping that the last startling sentence would teach them all they needed to know about the tragedy of war.  None of the parents complained that I had strayed from the curriculum and abandoned an American classic for an Irish short story, but then they probably never found out, their children probably telling them “Nothing!” when asked what they did at school that day.

For her first official book report, my daughter read Under the Hawthorne Tree, a book I recall with fondness from my childhood, the story of three children trying to survive the Irish Famine. My daughter had spied it in my bookcase, part of The Belfast Telegraph’s Children’s Collection my mother had saved for her. Knowing it would resonate with her sense of justice, I grabbed the opportunity to tell her about The Great Famine, knowing she was unlikely to learn much if anything about it in an Arizona classroom. Somewhat ironically, a headline in the Belfast Telegraph, Children Turn Away From Books in Favour of Reading Electronically, made me appreciate all the more, that my daughter was and continues to read books made of paper. Thinking of Belfast and all that continues to simmer just below the surface, I wonder why nobody thought to require To Kill a Mockingbird for GCSE O level English in the 1980s. Although set in a small Alabama town in the 1930s, many of us in Northern Ireland could have learned a thing or two about fairness and goodness – and about humanity – from Atticus Finch, at a time when our we needed it so much.  Instead we trudged through Richard Church’s autobiography, Over the Bridge. And it was torture.

With all of this off my chest, I feel better about the books I have brought to Mexico. There’s my Choice of Poets textbook, my collections of Seamus Heaney’s poetry, the little blue book of Irish Short Stories, out-of-print Belfast Reviews, and old Rolling Stone and Life magazines.  Still, I wish Independent columnist John Walsh was here to help the way he did when called upon to edit his friend Bella’s library:

I had to re-jig it, alphabetize it, eliminate the once-trendy, excise the cheesy and ill-advised, and bring together all the books that had been lying for years in bedroom, lavabo and kitchen and behind the sofa. My function was like that of Hercules cleaning out the Augean stables, until no trace of Paulo Coelho remained.

When the literati come to party, it’s time to clean up your bookshelves – John Walsh

My Ideal Bookshelf

Walsh points out that a proper bookcase, one in a mature middle-class household, should contain only books. Reference books do not belong there; rather, their place is close to a desk, and poetry needs its own section. Now we’re on to something. Knowing that you can only eat the elephant one bite at a time, and inspired by My Ideal Bookshelf, I have arranged some of my bookshelves with a nod to the women who have helped me find my way in the world with good humor and a sense of home, and some Bob Dylan for good measure:

The Sshh … I’m reading coffee cup just happened to be sitting there when my daughter rendered, by hand, these drawings for my 50th birthday, over a decade ago.

There is of course a place in my bookspace for Seamus Heaney. Naturally. The Irish cottage was a gift to my father over 60 years ago from a Professor Coyle’s wife who lived in a house named “One Acre” on the Belfast Road. She had decided, well into her sixties which was considered ‘a big age’ back home in those days, that she would learn to drive. As a favor, my father taught her—he taught practically everyone I knew to drive. To thank him, and knowing it would appeal to his love of things found in nature, Mrs. Coyle painted the little cottage on an angular remnant of a spruce tree, the bark serving as an approximation of a thatched roof with smoke streaming from a turf fire. He passed it along to me some years ago, and it has been at home with my Heaney books ever since.

With a flourish to end his day of transforming Bella’s library into a thing of beauty, John Walsh placed on her coffee table, “with a bookmark at page 397” a copy of Seamus Heaney’s Stepping Stones, a collection of conversations with my favorite poet.

By coincidence the same book is at home with me in Mexico. On my coffee-table …

I wonder what we’ll have to say to each other today.

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