Cold and lifeless, the bodies of twenty little children lie where they were gunned down that morning at Sandy Hook Elementary School. It is a crime scene that the day before was a school. The medical examiner’s team begins its work through the night to make sure there are no mistakes, no shadow of doubt about the names of those children – 12 girls, eight boys – along with those of six women shot at close range by a 20 year-old man, whose name everyone now knows.
Later, a state trooper is assigned to each anguished family in close-knit Newtown, Connecticut, as they wait for confirmation of what they already know. And stunned families all around the world will ask why . . .
Why?
We have been in this place before.
It was the morning of March 13, 1996, when the clocks stopped in the sleepy village of Dunblane, Scotland. Teacher, Gwen Mayor, was with her Primary One pupils – just 5 and 6 years old – in the assembly hall of Dunblane Primary School when the nightmare began. It was just another Wednesday morning in PE when a 43 year old manon a shooting rampage burst inside, shooting indiscriminately at teachers and children, before turning the gun on himself. His attack lasted three crazed, interminable minutes, during which Ms. Mayor did what teachers at Sandy Hook would do seventeen years later – everything they could to shield their students from the gunfire, to provide shelter from the storm.
There are no words, and there is no way to explain to our children or to each other how a man could stroll into a school with four handguns and over 700 rounds of ammunition and start to shoot, the carnage coming to an end only after he turned the gun on himself. And then seventeen years later, still no words, still no way to comprehend how a young man could kill his mother in her bed, then get in her car and drive to an elementary school where he would kill 20 children – aged six and seven – and six adults, before killing himself. We know not why. We know only what they did and what they left behind and that what they did forever changed two tiny places, an ocean apart.
Watching from afar, I am struck by the noblest expressions of humanity that emerge from such tragedy; by the immeasurable kindness of those people Mr. Rogers calls “the helpers.”
When I was a boy and I would see scary things in the news, my mother would say to me, “Look for the helpers. You will always find people who are helping.” To this day, especially in times of “disaster,” I remember my mother’s words and I am always comforted by realizing that there are still so many helpers – so many caring people in this world.
We can all be helpers, as a heartbroken President Obama reminded us in the wake of the Newtown massacre, because “while nothing can fill the space of a lost child or loved one, all of us can extend a hand to those in need, to remind them that we are there for them, that we are praying for them, that the love they felt for those they lost endures not just in their memories, but also in ours.”
This silent night, I am remembering again Dunblane and those little children who would be all grown up now with driving licenses and jobs, college degrees, marriages, mortgages, perhaps even children of their own. Like many of us, they would be planning for Christmas, hanging lights, trimming the tree, wrapping gifts, spending too much. But these will remain unfulfilled wishes for 16 children taken from us by a former Boy Scout leader with a pair of pliers, four handguns, and 700 rounds of ammunition. A man who slipped into their little school and opened fire. May we never forget them:
Victoria Clydesdale, 5
Emma Crozier, 5
Melissa Currie, 5
Charlotte Dunn, 5
Kevin Hasell, 5
Ross Irvine, 5
David Kerr, 5
Mhairi McBeath, 5
Brett McKinnon, 6
Abigail McLennan, 5
Emily Morton, 5
Sophie North, 5
John Petrie, 5
Joanna Ross, 5
Hannah Scott, 5
Megan Turner, 5
“So many names, there is barely room on the walls of the heart.” BILLY COLLINS
Given the courage, we live by moments of interference between past and present, moments in which time comes back into phase with itself. It is the only meaning of history. We search the past not for other creatures but for our own lost selves.
~ Roger Shattuck 1958 (Source: Listening to Van Morrison, Neill Marcus).
We knew it would be a quiet Halloween at our house, falling on a week-night, the Wednesday before the 2012 General Election. Naturally, there was homework for voters, with a plethora of Propositions to study and choices to make over who would be sent to Washington. It didn’t feel like Hallowe’en with November just hours away and the night air hanging warm at almost 80 degrees. Nonetheless, at sunset, my husband dutifully lit candles inside the pumpkins he had carved with our daughter the day before, and they filled the biggest bowl they could find with Kit-Kat bars, M&Ms, and Reese’s Peanut Butter Cups. Between us, we had always taken turns handing out the candy, but my preference was to join the band of trick-or-treaters that strolled our street, stopping only a few paces behind to wait while my miniature make-believe princess knocked on the doors of strangers. This annual trek through the neighborhood ceremoniously ended with a sprint to our front door, where she would knock on the door and call out “Trick or treat!” Feigning surprise, her dad would open the door wide and fill her plastic pumpkin basket with chocolate and sweets. For this reason, I have always attributed to Halloween my daughter’s incurably sweet tooth. There was never a trick – always a treat for her and the scores of children who have walked to our door over the years, reminiscent of that wonderful scene in E.T., tiny versions of Cinderella, Red Riding Hood, Tinkerbell, Spiderman, Jack Sparrow, Pikachu, and even the sitting President of the United States. On that Halloween, our last as a family, it was our teenage daughter’s turn to dole out candy. Sporting ears of a fictional Japanese cat and a black tail, both hand-sewn by her best friend, she took great delight in the younger children who couldn’t wait to be scared by the howls of a pale motion-sensitive ghost that hung above the doorway.
Behind the scenes, I recall my restlessness. Paying bills, scrolling through the work emails I didn’t have time to read at work, and following, in disbelief, the devastation and the rising death-toll of Hurricane Sandy. I was also listening to a voice from home, Van Morrison. This time, as Van repeated the ritual of nights spent “spinning and turning in the alley like a whirling dervish,” I feel a deep nostalgia, the kind Greill Marcus describes in his brilliant book Listening to Van Morrison. The space between Van’s relentlessly repetitive words, is where I still find the themes of home, of memory and ritual.
In an instant, “Behind the Ritual” takes me to County Antrim and into the lives of two sisters I have never met. The first, Mary, had stumbled upon something I had written in this online space and left a comment that forever connected us, as is the way of the virtual world. We search for one thing and find another that renders the first forgotten. Within this shrinking world, I learned that her cousin had been my hairdresser over three decades ago. Every time I visited Pauline for a trim or auburn highlights, there was always a moment, a ritual, when I considered, silently, the pub across the road. The Wayside Halt stood there almost stoic, on the edge of the dual carriageway between Antrim and Ballymena. Nondescript, it was and remains the kind of place that wouldn’t merit a second look. Byrne’s pub was unremarkable except for those who knew of the horror that had visited on May 24, 1974. And every time I sank into Pauline’s hairdresser’s chair, I thought about it.
It wasn’t until maybe ten years ago that I learned more about that night. My father told me that one of his friends had suggested they call into the Wayside Halt for a quick pint that evening since it was on the road home. Knowing the unlikelihood of a “quick pint” and because daddy was in a rush to complete bread deliveries before dark, he declined. Before he reached Randalstown not an hour later, the harrowing word had arrived that Loyalist paramilitaries had barged into the Wayside Halt, and shot at point-blank range, Mary’s uncles – Shaun Byrne and his brother, Brendan. Other pub owners in the Ballymena area had been attacked too, their places of business vandalized because they had decided to remain open during the United Workers Council Strike of 1974.
Shaun and Brendan Byrne were executed while the children were in the sitting room upstairs. In the picture Mary sent me, the only child not home that evening was the little girl at her father’s right shoulder.
So many names. The Byrne brothers. The Quinn brothers – Richard, Mark, and Jason – three little boys burned to death on July 12, 1998. Just eleven, nine, and seven years old, they had been asleep when a petrol bomb was thrown through their bedroom window. Their grandmother was the subject of my brother’s first interview as he began his career in journalism covering the kinds of stories that should only have been told once. So many stories that left us numb – Bloody SundayLa Mon Restaurant, Crossmaglen,The Miami Showband, Kingsmills,Internment, the bombing of Omagh and Enniskillen, Greysteel, Frizzell’s fish shop – the list goes on and on. Physically untouched by this string of horrors, but changed nonetheless, the images are indelible. Iconic. Father Daly waving a blood-stained white handkerchief, the blood on Market Street in the heart of Omagh’s little market town, the platform-soled boot on the side of the road near Banbridge, mourners at the Ballymurphy funeral on a black and white tv.
In May the Lord in His Mercy be Kind to Belfast, based on his interviews with the people who lived there, Tony Parker makes an unsettling but astute observation that those born and brought up in Northern Ireland often display a mutual need to know, from the start, about a person’s background, so they are safe to continue in the conversation and in the wider relationship, without saying the wrong thing, “the wrong word.” I too have danced this dance, taking cues from last names or the names of schools we attended, the way we pronounce an “H” to help establish “who we are.” “Derry” or “Londonderry?” “The Troubles,” “the conflict, or “The Irish Question?” “Ulster” or “The Six Counties?” Myth features prominently, in particular the heartbreaking myth that victims have in some way, brought it upon themselves – this magical thinking haunts me even today. What did we do to deserve this?
Because it is almost Hallowe’en, and because she is Mary’s sister, I am compelled to share again Anne’s recollection of Hallowe’en, first posted on online on November 1, 2005. Like Mary, she had left a comment for me, and our world contracts once more:
I loved Hallowe’en when I was wee, except it was called Holloween in those days. Next to Christmas, it was the best holiday of the year. It was also mid-term break. Holloween was always celebrated in our house. When we were very small my mother would make a lantern from a turnip she’d scobe out with a knife which, if you’ve ever tried to do it, is bloody hard work. The next oldest sister to me was very keen on traditions even ones she’d made up herself. When she was around eight she decided that every year she and I would make witches’ hats out of newspapers rolled into cones and blackened with shoe polish. So we did this for at least 3 or 4 years. We’d run around the yard with the pointy, floppy hats falling down over our eyes, our faces and hair stained with polish, singing:
‘I’m Winnie the Witch, Witches can fly and so can I, I’m Winnie the Witch’
I have no idea where this came from.
In the evening we would tie apples from a string attached to the ceiling and try to bite lumps out of them or duck for apples in a basin of water set on the kitchen floor. This involved much splashing on the quarry tiles and younger siblings spluttering and snottering into the water. I was pretty crap at it but my brother would have drowned himself rather than admit defeat. He would suddenly rear out of the water, his whole upper body soaked, grinning so widely that he was in danger of dropping his prize. Later we’d have apple tart with hidden money in it wrapped up in silver paper.
When we all got to be a bit older my aunt and uncle, who had no children of their own, held a party each Hallowe’en. They only invited our family and one set of cousins which meant they had 15 children in attendance. There was always a bonfire and sparklers but no fireworks as they were banned in Northern Ireland.In the middle of the party there would be a loud clatter on the door and my uncle would go and investigate. Without fail he would return with a scary stranger with a stick, wearing a thick coat and a scarf wrapped round their face. Usually the stranger did a lot of muttering and, more often than not, he’d use his stick to take a swing at you if you came too close. As the evening progressed and we worked ourselves up into a frenzy the stranger would suddenly reveal themselves to be the man who lived next door or even occasionally our Aunt Mary. Presumably she got drafted in by my uncle in the years when he couldn’t persuade any of the neighbours to come and scare us half to death. I think the parties started coming to an end when I was in my early teens but by then I’d grown out of them.
I always think of my uncle at this time of year. He was murdered, along with his brother, in the mid 70s but in Spring not October. The scary, masked strangers who came to the door that night didn’t reveal themselves to be friends or family.
All this happened a long time ago and besides the past is a different country but it has been haunting me lately.
Lawn-mowers and leaf-blowers strike up their tune much earlier when summer arrives in the desert southwest. By the time I left for work on Monday, I noticed, with the same kind of resignation triple-digit temperatures bring every year, that the flower beds were empty, the freshly mown grass less green, and, where just weeks before long branches hung low and heavy with hot pink blooms, were almost-bare limbs exposed to the sky above our house.
I remember the uncharacteristically hot Spring day when our little family drove to a the Moon Valley nursery in search of a tree just like those which provided some shade during our weekend strolls through the Biltmore Fashion Park. At the time, this open-air mall boasted a row of what I finally learned were Hong Kong Orchids; my then three-year old loved to stand on the tips of her toes and stretch each of her piano-player fingers high into the sky, hoping to pluck one of the enticing pink blossoms that hung there, blooms I believe as worthy as lilies of Georgia O’Keefe’s attention.
So enchanted was Sophie, that she wanted such a tree for our yard. I had the perfect spot, right in front of her bedroom window, where there should be something magnificent to wake up to every morning. And, from a more practical perspective, it would fill the space previously occupied for over seven decades by a grapefruit tree that had finally given up the ghost.
Sophie was still at that tender age when she needed to and wanted to hold my hand everywhere we went – on a mission to find a stray cat in the oleanders that bordered our back yard, or a hummingbird drinking from a Mexican honeysuckle, or the pink tree that was proving to be more elusive than I had anticipated. The nursery was all out of mature orchid trees, and the saplings were wholly unimpressive. It was anti-climactic at best when at last we found, attached to a single green stalk, all of three feet tall and the width of my little finger, a price tag identifying it as the coveted Hong Kong orchid – nary a bloom just a couple of leaves drooping sadly from the top. The young man who sold it to me was very charming and assured me it would provide “all kinds of shade” for us in no time. Skeptical, we bought it anyway, and off we went.
More to appease a tired little girl and her mother, than to show off any horticultural prowess, my husband planted and staked this skinny little excuse for a tree in the vacant spot. We began tending it, and like the watched kettle, it was unresponsive to our vigilance. Then, almost magically, not unlike Sophie herself, it grew up – beautiful, independent, fragile, and alert, with a resilience that sometimes takes my breath away.
Bending and swaying just when it should, at all the right times over the past decade, her pink tree has survived scorching, record-breaking temperatures, frost, intense monsoons, and even a “haboob” that hit Phoenix when we had abandoned the heat for California’s central coast. Unfazed, it was waiting for us when we returned as if to remind us that we live and move in its shadow.
It has annually inspired a shock of petunias in the flower beds, geraniums, fragrant pink stock, freesias, and snapdragons. It even played a role in the color I chose for my front door – I had entirely too much fun mixing colors, one of which was “black raspberry” to create a complement to Sophie’s pink tree.
And as I remembered this week while reading through old scrapbooks, her Hong Kong orchid was also the inspiration behind my darling girl’s first foray into poetry for which she earned a blue ribbon and honorable mention in her grade school’s annual poetry contest.
Through all the beginnings and endings, the reminders of the fragility and fleetingness of life, and the finality of death, the pink tree abides.
Several years ago, my friend and I enrolled in a college photography class. This was not something to check off a bucket list, just a little thing I had been meaning to do for about thirty years. I had never made the time for it until a cancer diagnosis shifted my priorities. Until then, I had been oh so busy being busy, bemoaning the pace of life as a woman trying to play equally well the roles of mother, wife, daughter, sister, best friend, teacher, all the while wishing Tom Petty would show up on my doorstep and beg me to be one of his Heartbreakers.
I wanted to be the photography instructor’s favorite. Like me, she preferred Nikon over Canon. Like me, she had breast cancer and neither time nor patience for pink ribbons. Less technician than artist, she had a penchant for Photoshop and its post-processing capabilities that she knew would made us look more competent than we were. Her dead-pan dead-on sense of what was important inspired me to do my homework and to never miss a class. Bored, she bristled at our predictable photographs shot straight-on, and then she would sign and remind us that “photography is just light.”
It is just light – you just need to find it.
Trying to relate, I told myself it was “writing with light,”and I wanted to be good at it. I wanted to one day take the kinds of photographs Amyn Nasser talks about, magical and grand:
I believe in the photographer’s magic — the ability to stir the soul with light and shape and color. To create grand visual moments out of small and simple things, and to infuse big and complicated subjects with unpretentious elegance. He respects classic disciplines, while at the same time insists on being fast, modern and wild.
Determined that we would create at least one grand moment in our often pedestrian pictures, she assigned as homework over the Thanksgiving weekend, a “prepositional scavenger hunt,” requiring us to shoot from various angles, to shift our perspective – against, across, beyond, beneath, around, behind, below, between, inside, outside, on top of, toward, through, upon . . .
So it was that on a Thanksgiving afternoon, I found myself wandering the grounds of the Arizona State Capitol, eventually stopping beneath a canopy of shimmering green and pink. I forget how long I sat there. looking skyward and thinking, but it was long enough for prepositions and perspectives to give way to gratitude and grace – Amazing Grace – and thoughts of Van Morrison in full flow at The Hollywood Bowl. He is mystifying his listeners the way he does when he seems younger than the grumpy old man he sometimes appears to be with an immaculate rendition of Astral Weeks/I Believe I have Transcended, a song he once described as “one where you can see the light at the end of the tunnel.”
In the spirit of the holiday season, I could maybe say that Thanksgiving had something to do with that moment of transcendence as I gazed at those leaves shimmering above me, but that would not be true. Even after living in America for over thirty years, the celebration of Thanksgiving does not come naturally to me. Some of my American friends are still surprised when I tell them there is no such holiday in Ireland. No, Christmas is the holiday that warms us, so I know whereof she speaks when Carole Coleman, an Irish woman living in America, apologizes to her American family and friends,
With apologies to members of my American family joining us for Christmas, we will be doing the turkey thing all over again five weeks from now.
No. It was a moment of stock-taking. Looking up and losing track of time that November afternoon, I found my footing again, knowing full well I would lose it – and rediscover it – again and again. I was fearless. I was grateful. Sitting there by myself, I think I may have discovered the kind of gratitude Annie Lamott describes in her Help, Thanks, Wow: The Three Essential Prayers –
Thanks is the prayer of relief that help was on the way, that either the cavalry arrived, or that the plates of the earth shifted and that somehow, you got your sense of humor back, or you avoided the car that was right in front of you that you looked about to hit.
And so it could be the pettiest, dumbest thing, but it could also be that you get the phone call that the diagnosis was much, much, much better than you had been fearing. And you say the full prayer, and its entirety, is: Thank you, thank you, thank you, thank you, thank you. But for reasons of brevity, I just refer to it as Thanks. It’s amazement and relief that you caught a break, that your family caught a break, that you didn’t have any reason to believe that things were really going to be OK, and then they were and you just can’t help but say thank you.
Thank you – a powerful phrase that often goes unsaid right when we need to say or hear it the most.
There’s a lovely minute or two in the Irish film, “Waking Ned Devine,” that never fails to remind me of this. The hapless Lottery official has just arrived unannounced at Ned Devine’s funeral, right when Jackie O’Shea is beginning the eulogy. Always quick on his feet – and realizing his scheme to cash in on Ned’s winning lottery ticket is about to come crashing down – Jackie pauses. He looks over at his best friend, Michael O’Sullivan, who is posing as Ned, and as an easy smile spreads across his face, he looks out into the congregation and delivers this:
As we look back on the life of N . . . Michael O’Sullivan was my great friend. But I don’t ever remember telling him that. The words that are spoken at a funeral are spoken too late for the man who is dead. What a wonderful thing it would be to visit your own funeral. To sit at the front and hear what was said, maybe say a few things yourself. Michael and I grew old together. But at times, when we laughed, we grew young. If he was here now, if he could hear what I say, I’d congratulate him on being a great man, and thank him for being a friend.
Thank you to my family and my friends – new and old, near and far. Thank you for lifting me up and lighting the road ahead.