Wherever you are, even if you’re feeling a bit lost, you are sure to find yourself in the final essay from Local Wonders by Ted Kooser. It’s a lovely reflection on life and loss and on looking ahead – where the world is waiting for us. Enjoy:
Life is a long walk forward through the crowded cars of a passenger train, the bright world racing past beyond the windows, people on either side of the aisle, strangers whose stories we never learn, dear friends whose names we long remember and passing acquaintances whose names and faces we take in like a breath and soon breathe away.
There’s a windy, perilous passage between each car and the next, and we steady ourselves and push across the iron couplers clenched beneath our feet. Because we are fearful and unsteady crossing through wind and noise, we more keenly feel the train rock under our legs, feel the steel rails give just a little under the weight, as if the rails were tightly stretched wire and there were nothing but air beneath them.
So many cars, so many passages. For you, there may be the dangerous passage of puberty, the wind hot and wild in your hair, followed by marriage, during which for a while you walk lightly under an infinite blue sky, then the rushing warm air of the birth of your first child. And then so soon, it seems, a door slams shut behind you, and you find yourself out in the cold where you learn that the first of your parents has died.
But the next car is warm and bright, and you take a deep breath and unbutton your coat and wipe your glasses. People on either side, so generous with their friendship, turn up their faces to you, and you warm your hands in theirs. Some of them stand and grip your shoulders in their strong fingers, and you gladly accept their embraces, though you may not know them well. How young you feel in their arms.
And so it goes, car after car, passage to passage. As you make your way forward, the roadbed seems to grow more irregular under the wheels as you walk along. ‘Poor workmanship,’ you think, and to steady yourself, you put your hands on people’s shoulders. So much of the world, colorful as flying leaves, clatters past beyond the windows while you try to be attentive to those you move among, maybe stopping to help someone up from their seat, maybe pausing to tell a stranger about something you saw in one of the cars through which you passed. Was it just yesterday or the day before? Could it have been a week ago, a month ago, perhaps a year?
The locomotive is up ahead somewhere, and you hope to have a minute’s talk with the engineer, just a minute to ask a few questions of him. You’re pretty sure he’ll be wearing a striped cap and have his red bandana around his neck, badges of his authority, and he’ll have his elbow crooked on the sill of the open window. How impassively he will be gazing at the passing world, as if he’s seen it all before. He knows just where the tracks will take us as they narrow and narrow and narrow ahead to the point where they seem to join.
But there are still so many cars ahead, and the next and the next and the next clatter to clatter to clatter. And we close the door against the wind and find a new year, a club car brightly lit, fresh flowers in vases on the tables, green meadows beyond the windows and lots of people who together — stranger, acquaintance and friend — turn toward you and, smiling broadly, lift their glasses.”
Ready to step into the club car, I am grateful. There you are, waiting for me, glasses raised. Thank you.
Happy New Year.
yvonne
So fill to me the parting glass
Good night and joy be with you all
This is from Ted Kooser’s lovely book, Local Wonders. Wherever you are in your life, you’ll find yourself in his reflection on life, the passing year, and how to greet the future:
Life is a long walk forward through the crowded cars of a passenger train, the bright world racing past beyond the windows, people on either side of the aisle, strangers whose stories we never learn, dear friends whose names we long remember and passing acquaintances whose names and faces we take in like a breath and soon breathe away.
There’s a windy, perilous passage between each car and the next, and we steady ourselves and push across the iron couplers clenched beneath our feet. Because we are fearful and unsteady crossing through wind and noise, we more keenly feel the train rock under our legs, feel the steel rails give just a little under the weight, as if the rails were tightly stretched wire and there were nothing but air beneath them.
So many cars, so many passages. For you, there may be the dangerous passage of puberty, the wind hot and wild in your hair, followed by marriage, during which for a while you walk lightly under an infinite blue sky, then the rushing warm air of the birth of your first child. And then so soon, it seems, a door slams shut behind you, and you find yourself out in the cold where you learn that the first of your parents has died.
But the next car is warm and bright, and you take a deep breath and unbutton your coat and wipe your glasses. People on either side, so generous with their friendship, turn up their faces to you, and you warm your hands in theirs. Some of them stand and grip your shoulders in their strong fingers, and you gladly accept their embraces, though you may not know them well. How young you feel in their arms.
And so it goes, car after car, passage to passage. As you make your way forward, the roadbed seems to grow more irregular under the wheels as you walk along. ‘Poor workmanship,’ you think, and to steady yourself, you put your hands on people’s shoulders. So much of the world, colorful as flying leaves, clatters past beyond the windows while you try to be attentive to those you move among, maybe stopping to help someone up from their seat, maybe pausing to tell a stranger about something you saw in one of the cars through which you passed. Was it just yesterday or the day before? Could it have been a week ago, a month ago, perhaps a year?
The locomotive is up ahead somewhere, and you hope to have a minute’s talk with the engineer, just a minute to ask a few questions of him. You’re pretty sure he’ll be wearing a striped cap and have his red bandana around his neck, badges of his authority, and he’ll have his elbow crooked on the sill of the open window. How impassively he will be gazing at the passing world, as if he’s seen it all before. He knows just where the tracks will take us as they narrow and narrow and narrow ahead to the point where they seem to join.
But there are still so many cars ahead, and the next and the next and the next clatter to clatter to clatter. And we close the door against the wind and find a new year, a club car brightly lit, fresh flowers in vases on the tables, green meadows beyond the windows and lots of people who together — stranger, acquaintance and friend — turn toward you and, smiling broadly, lift their glasses.
Again, the sun will pause for its moment of solstice before changing direction to move northward. From the Latin, solstitium, the apparent standing still of the sun, the Winter Solstice is a turning point, something I look forward to each year. At Newgrange, a neolithic burial tomb even older than Stonehenge, outside Dublin, Ireland, they hold a lottery to decide who will experience the solstice the way it was intended by those ancient folk who built it over 5,000 years ago.
In its roof, is a little opening, aligned to the ascending sun. When that morning sunbeam shoots through the roof-box, it illuminates for seventeen minutes the chamber below, highlighting the geometric shapes carved into the stone walls. It is a magic time, long before clocks and calendars and compasses measured time and the distance between us, signifying the turn towards a new year.
This year, out of over 30,000 applicants, only 50 were selected to experience the solstice at Newgrange. Unfortunatley, Irish weather was as you would expect with clouds and rain keeping the light out.
From the outside, my house glitters like a Christmas card with its tree twinkling in the window and a sign for Santa to please stop here. A little house, it is no different than any other year, except the two women inside it are different, each of us adjusted and adjusting to a life and to living without the constancy of a man for whom our happiness was his heart’s only desire. Each of us wondering what’s next for us – what will begin and what will end.
I remember reading something about a woman who described two distinct lives – the one she lived before cancer and the one forever changed by the diagnosis – her turning point. When I close my eyes to recollect my own diagnosis, I can see myself get up and walk out the door, leaving behind the woman I used to be, offended by the nerve of that Breast Cancer Navigator telling my husband and me that I had cancer. Me?With cancer?
Like an unexpected snow, the pronouncement fell from her lips and rendered me wordless. In conspiratorial whispers, she informed my husband of all the details I would forget. It reminded me of the way we quietly speculate about the cause of a death when all the evidence points to hard living. On and on she talked, as if trying to soothe us even as she filled our ears with fear. So many scary words. Not to worry. She stressed that what we were hearing that day in her dimly lit office was not a death sentence.
Nonetheless, I heard a crack, the sound of a life being altered that would have me pondering still and more how to handle poet Muriel Rukeyser’s question:
What would happen if one woman told the truth about her life? The world would split open.
I think it might.
I raged silently against cancer, indignant that it had barged into our lives, interrupting our plans to celebrate our daughter’s fourteenth birthday and Christmas. But we celebrated anyway. We decorated the house the way we always do. We had a party for Sophie and invited friends over. We remembered to laugh. We went to a Bob Seger concert on Christmas Eve. We scheduled the blood-work and the biopsies, the mammograms, and the mastectomy. The healing began. Sort of.
And then, another Christmas, the cancer contained, the promise of a better year. Relieved and ready to celebrate anything, my parents came to Arizona to help us bring in 2013. We set off fireworks saved for a special occasion and for good luck, we designated my dark-haired husband “the first footer” after midnight. Such relief to shut the door against 2012, a year that had skulked in and scared us, each of us terrified by the cancer and what it might do.
For me – and the woman I used to be – cancer became The Scariest Thing in my life. Like every scary thing that comes to fruition, it had never previously crossed my mind. No. My mind was too consumed with all the things that most likely will never happen. All that worrying. Why? It is such a waste. But the cancer happened, and I wanted everyone to feel as sorry for me as I did for myself and howl about the unfairness of it all. I wanted sympathy – the kind delivered by an Irish mammy over endless cups of tea with reminders that there’s always someone worse off. Always.
I remember my mother cursing the cancer for the thief that it is but she’d temper her remarks with reminders that I was so lucky to be married to the best man in the world. “You could set your watch by him!” she’d say, and then she would jokingly ask him how in the name of God he had put up with me for over twenty years. Not known for my punctuality or having a place for everything and everything in its place, she regularly wondered aloud how I would ever manage without him since he waited on me hand and foot. Without him. In our house. Now that would be a scary thing. Me? A widow?
But in the wee hours of 2013 on a magical New Year’s Eve, I was still Ken’s wife, one half of an “us,” and I was looking ahead and happy. Like mischievous kids, we set off fireworks at the end of our street. My parents’ faces illuminated by sparklers bought one July 4th in San Luis Obispo, my daughter toasting us with cider that shone in one of the good Waterford crystal glasses, it was a magic time – life was sweet. I remember thinking, believing “All. Is. Well.”
When everyone went to bed on January 1st 2013, I stayed up, savoring the silence of our slumbering house and the opportunity to consider Ted Kooser’s assessment of life, that it is “. . . a long walk forward through the crowded cars of a passenger train, the bright world racing past beyond the windows, people on either side of the aisle, strangers whose stories we never learn, dear friends whose names we long remember and passing acquaintances whose names and faces we take in like a breath and soon breathe away …”
It is just like that. And on the shortest day when the sun stops for a moment, I find myself in between two cars, aware that I still have some distance to travel. Forward. And I am ready for it.
But there are still so many cars ahead, and the next and the next and the next clatter to clatter to clatter. And we close the door against the wind and find a new year, a club car brightly lit, fresh flowers in vases on the tables, green meadows beyond the windows and lots of people who together — stranger, acquaintance and friend — turn toward you and, smiling broadly, lift their glasses.
It is the shortest day of the year, when the sun will pause for its moment of solstice before changing direction to move northward. From the Latin, solstitium, the apparent standing still of the sun, the Winter Solstice is a turning point, something I look forward to each year. At Newgrange, a neolithic burial tomb even older than Stonehenge, outside Dublin, Ireland, they hold a lottery to decide who will get to experience the solstice the way it was intended by those ancient folk who built it over 5,000 years ago.
In its roof, is a little opening, aligned to the ascending sun. When that morning sunbeam shoots through the roof-box, it illuminates for seventeen minutes the chamber below, highlighting the geometric shapes carved into the stone walls. Out of 30,000 applicants in 2013, only 50, Irish weather permitting, will experience the solstice at Newgrange. It is a magic time, long before clocks and calendars and compasses measured time and the distance between us, signifying the turn towards a new year.
I am not ready for it. I am not ready for days that stretch out even longer than each of the thirty-six that have passed since the day my husband died. Thirty-six. I cannot bring myself to convert those days to weeks or to say it’s been over a month already. I’m not ready, not equipped to turn away from a life with him to one without him, even though the bank is clamoring for a certified copy of the death certificate so they can erase his name from the checking account and the mortgage, make things that used to be “ours” all mine.
From the outside, our house – my house – glitters like a Christmas card with its tree twinkling in the window and bit of whimsy – a painted wooden sign for Santa to please stop here. It’s no different than any other year, except everything inside has changed. In a pile on the kitchen countertop, sympathy cards mingle with utility bills and an accidental Christmas card from someone far away who didn’t find out until after she’d mailed it that Ken is dead. Recorded on the DVR are the unwatched episodes of “Alaska: The Last Frontier” and “The Daily Show” scheduled indefinitely. When he died, the television was on and tuned to the Comedy Channel. He would have appreciated the irony.
There are the movies he never deleted, like No Country for Old Men, probably his favorite after Goodfellas. He loved the book too, much to my chagrin – Cormac MacCarthy leaves me cold – and I think he may have even re-read it while he sat in the hospital waiting room for almost nine hours while they removed and reconstructed my cancerous breast. Still, it was much better reading material than any of that provided by the breast cancer industry people on how he should support his newly-diagnosed-with-breast-cancer-loved-one. Sophie made me watch No Country last week, fast-forwarding to his favorite frame in the coin-toss scene at the gas station when Javier Bardem‘s Anton Chigur tells the befuddled proprietor to call heads or tales even though he “put nothing up” . . . The candy wrapper un-crinkles on the countertop, the tension grows, and I’m hooked.
Yes you did. You’ve been puttin it up your whole life. You just didn’t know it. You know what date is on this coin? …1958. It’s been traveling 22 years to get here. And now it’s here. And it’s either heads or tails and you have to say. Call it.
I can imagine Ken telling me he told me so. I wish I had watched it with him.
Most mornings now, I get in the car and play a guessing game before turning on the radio. Sophie plays along. We’ll look at each other in disbelief when a ‘Dad’ song comes on. Again. Never, in almost twenty-four years together, did his favorite tunes get such airplay. Even John Hiatt‘s “Slow Turning” came on the other day. I know Ken would have turned it up loud and stayed in the car until it was over. And he would have been mad if he’d missed his favorite line:
I’m yelling at the kids in the back, ‘cause they’re banging like Charlie Watts.
There’s a conspiracy at work. It reminds me of how it wasn’t until I was diagnosed with cancer that I began to notice the hundreds of pink ribbons and so many women with bandanas covering vulnerable, shorn heads.
I remember reading something about a woman who felt she had two distinct lives – the one before cancer and the one forever changed by the diagnosis – a turning point, by any other name. When I close my eyes to remember my own diagnosis, I can see myself get up and walk out the door, leaving behind the woman I used to be, offended by the nerve of that Breast Cancer Navigator telling my husband and me that I had cancer. Me?With cancer? Like an unexpected snow, the pronouncement fell from her lips and rendered me wordless.
I remember how she spoke. She was conspiratorial and quiet, talking to my husband in a knowing way that reminded me of the way we quietly speculate about the cause of a death when all the evidence points to hard living. On and on she talked, as if trying to soothe us even as she filled our ears with fear. So many scary words. Not to worry. She stressed that what we were hearing that day in her dimly lit office was not a death sentence.
Nonetheless, I heard a crack. The sound of a life altered that would have me pondering still and more how to handle poet Muriel Rukeyser’s question:
What would happen if one woman told the truth about her life? The world would split open.
I think it might.
I raged silently against cancer, indignant that it had barged into our lives, interrupting our plans to celebrate our daughter’s fourteenth birthday and Christmas. But we celebrated anyway. We decorated the house the way we always do. We had a party for Sophie and friends over. We remembered to laugh. We went to the Bob Seger concert on Christmas Eve. We scheduled the appointments, the blood-work and the biopsies, the mammograms, and the mastectomy. The healing began. Sort of.
And then, another Christmas, the cancer contained, the promise of a better year. Relieved and ready to celebrate anything, my parents came to Arizona to help us bring in 2013. We set off fireworks saved for a special occasion and for good luck, we designated my dark-haired husband “the first footer” after midnight. Oh, such sweet relief to shut the door against 2012, a year that had skulked in and scared us, each of us terrified by the cancer and what it might do.
For me – and the woman I used to be – cancer became The Scariest Thing in my life. Like every scary thing that comes to fruition, it had never previously crossed my mind. No. My mind was too consumed with all the things that most likely will never happen. All that worrying. Why? It is such a waste. But the cancer did happen, and I wanted everyone to feel as sorry for me as I did for myself and howl about the unfairness of it all. I wanted sympathy. I even wanted the kind you get from an Irish mammy over endless cups of tea with reminders that there’s always someone worse off. Always.
I remember my mother cursing the cancer for the thief that it is but she’d temper her remarks with reminders that I was so lucky to be married to the best man in the world. “You could set your watch by him!” she’d say, and then she’d jokingly ask him how in the name of God he had put up with me for over twenty years. Not known for my punctuality or having a place for everything and everything in its place, she regularly wondered aloud how I would ever manage without him since he waited on me hand and foot. Without him. In our house. Now that would be a scary thing. Me? A widow?
But in the wee hours of 2013 on a magical New Year’s Eve, I was still Ken’s wife, one half of an “us,” and I was looking ahead and happy. Like mischievous kids, we set off fireworks at the end of our street. My parents’ faces illuminated by sparklers bought one July 4th in San Luis Obispo, my daughter toasting us with cider that shone in one of the good Waterford crystal glasses, it was a magic time, and I remember thinking, believing “All. Is. Well.”
When everyone went to bed on January 1st 2013, I stayed up, savoring the silence of our slumbering house and the opportunity to consider Ted Kooser’s bang-on assessment of life, that it is “. . . a long walk forward through the crowded cars of a passenger train, the bright world racing past beyond the windows, people on either side of the aisle, strangers whose stories we never learn, dear friends whose names we long remember and passing acquaintances whose names and faces we take in like a breath and soon breathe away …”
It is just like that. And on this shortest day when the sun stops for a moment, I find myself in between two cars, aware that I still have some distance to travel. Forward. Ready or not. A slow turning. From the inside out.
But there are still so many cars ahead, and the next and the next and the next clatter to clatter to clatter. And we close the door against the wind and find a new year, a club car brightly lit, fresh flowers in vases on the tables, green meadows beyond the windows and lots of people who together — stranger, acquaintance and friend — turn toward you and, smiling broadly, lift their glasses.
